Mandolin

The « Artemandoline », ensemble founded by Juan Carlos Muñoz and Mari Fe Pavón, insist upon using original scores in order to restore the mandolin and its incomparable repertoire to its former glory. Passionate musicians they spend their time updating forgotten early music masterpieces written for their instrument.

Bülent Yazici was born in 1977. He’s a medical doctor and a nuclear medicine specialist in Ege University Medical Faculty, Izmir, Turkey. He discovered mandolin in the middle school when he was 14 years old. After high school, he won the Medical School of Ege University and started the career on medicine. He became a medical doctor in 2002 and a nuclear medicine specialist in 2008. I worked as a nuclear medicine specialist in several different cities and returned to Izmir in 2014. He learned and developed to play mandolin with my own effort. He play as concertmaster in Izmir TOBAV (Turkey Opera and Ballet Foundation) Mandolin Orchestra which has been established in recent years.

About Giovan Battista Gervasio’s life we have only a few, fragmentary pieces of information. We do not know the exact years or places of his birth or death, and can only surmise that he was born in Naples in the third decade of the eighteenth century, and that he died after 1786, year of the publication of the last printed composition of his that is available to us. The music recorded here is a performance of the six sonatas in manuscript form preserved in Uppsala and Paris, the complete corpus of Gervasio’s currently known sonatas.

A mandolin for all seasons: accompanied by accordion, harpsichord and a backing band drawn from the strings of the Gewandhausorchester Leipzig, Jacob Reuven brings us Vivaldi’s and Piazzolla’s ‘Seasons’ as you’ve never heard them before.

Vienna Mandolin Stories is Alon Sariel's first full concerto album, inviting listeners on a journey through late-18th- and early-19th-century Vienna. The album features works for mandolin and orchestra by Haydn, Mozart, Krahmer, and Paisiello. While some pieces were originally composed for mandolin, others have been skillfully adapted by Sariel. The album thrives on Sariel's inventive and playful approach, as represented in "Haydn's Mandolin Concerto", an imaginative rearrangement combining movements from different concertos, including one by Malzat long misattributed to Haydn.

A mandolin for all seasons: accompanied by accordion, harpsichord and a backing band drawn from the strings of the Gewandhausorchester Leipzig, Jacob Reuven brings us Vivaldi’s and Piazzolla’s ‘Seasons’ as you’ve never heard them before.

Two years after the great acclaim aroused by "Beethoven and his Contemporaries", his first recording for Arcana, Raffaele La Ragione returns with an album containing the four best-known mandolin concertos, which appear in a new light here thanks to the use of three different period mandolins. For this ambitious project he is joined by the brilliant orchestra Il pomo d’oro, universally renowned for its lively, dynamic interpretations of instrumental and vocal music from the Baroque and Classical periods (with Joyce DiDonato, Franco Fagioli, Jakub Józef Orliński) and directed here by its principal guest conductor Francesco Corti, a harpsichordist of international repute.From Vivaldi’s famous mandolin concertos, by way of the typically Neapolitan examples by Paisiello and Lecce, to the two more Classical concertos of Hummel (these last in their world premiere recording on historical instruments), four concertos and three precious instruments restore this repertory to its rightful place and relate almost a century of mandolin history.

For those who are new to an instrument, the first question is often: where to start? The ‘Best Loved’ series offers an easy answer to that question and a perfect introduction to the wonderful, varied world of classical music. Spotlighting individual instruments in some of the best-loved pieces ever written, and with a mix of solo, chamber and orchestral works, the series provides a convenient introduction to classical music’s infinite variety of instrumental sounds and styles.