Mandora

Various Artists - Guide des Instruments Anciens (A Guide to Period Instruments) (2009) {8CD Box Set Ricercar RIC100}
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© 2009 Ricercar / Outhere Music | RIC100
Classical / Early Music / Medieval / Renaissance / Baroque

A Guide to Period Instruments: 200 pages full colour book + 8 CDs. Languages: French/English/German. This Guide to Period Instruments endeavours to answer the questions that every lover of early music has about the instruments used in these periods of music history. Text and recorded excerpts describe the origin and the development of every musical instrument from the Middle Ages to the end of the 18th century and place them in their historical context. There is a completely new presentation booklet, over 200 pages long and abundantly illustrated, as well as eight CDs of recorded examples of the instruments that shed new light upon major periods of music history.

In campo operistico, il periodo storico tra Cavalli e Handel - quello, per capirci, che comprende giganti come Stradella, A. Scarlatti, Legrenzi… - è il più trascurato dalla discografia. Ed è un peccato, perché è il periodo nel quale si sviluppano le forme e gli stili che saranno tipici del Barocco maturo, come l'aria con il da-capo ed il virtuosismo belcantistico. Benvenuta quindi questa produzione dell'austriaca ORF, che documenta dal vivo l'esecuzione di questo rarissimo "Giulio Cesare in Egitto" del veneziano Antonio Sartorio, uno dei maggiori eredi di Cavalli nel florido operismo lagunare.

Among the entertainments with which the Bavarian nobles of the 18th century occupied their monotonous and idle daily life, in addition to gambling, tobacco smoking and reading, the mandora and calichon are often mentioned. The latter were lutes, with only 6- (or even 5-) courses of strings, which – being much less demanding than the contemporary German 13-course lute – became among the favourite instruments of the German, Austrian and Bohemian aristocracy, including women, who were generally excluded from professional instrumental music. The larger 8-course calichon, due to its versatility was widely used as a continuo-playing instrument in chamber ensembles and orchestras, especially in monasteries and among the clergy.

Giuseppe Antonio Brescianello (also Bressonelli; ca. 1690, Bologna – 4 October 1758, Stuttgart) was an Italian Baroque composer and violinist. His name is mentioned for the first time in a document from 1715 in which the Maximilian II Emanuel appointed him violinist in his court orchestra in Munich. Soon after, in 1716, after the death of Johann Christoph Pez, he got the job of music director and as a maître des concerts de la chambre at the Württemberg court in Stuttgart. In 1717, he was appointed Hofkapellmeister.

David Munrow was a major British music historian who started The Early Music Consort of London with Christopher Hogwood. Monroe also published a number scholarly works on Early Music. One of Munrow's early passions was the study of early musical instruments which he collected until this his death, and are now part of his historical archives. Monroe began a project to make recordings of musical instruments from the Medieval and Renaissance Periods during 1973-74. Munrow was himself was a respected musician in own right on the instruments of the period, and played many of the included examples himself.