Manfred Mann Chapter

“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.

Three CD box set. Time Machine is a fascinating look at a equally fascinating time in music, containing 41 tracks from the first golden age of the Vertigo label including rare and classic tracks from the likes of Aphrodite's Child, Black Sabbath, Colosseum, Gentle Giant, Jade Warrior and the Sensational Alex Harvey Band. Also contains a 48-Page Booklet containing biogs, rare photographs and exclusive interviews. Whether you are a fine of Psychedelia or Prog Rock, there's something here to excite your senses.

Esoteric Recordings announce the first ever official UK remastered CD release of First Meeting by Trifle. Formed in late 1969 the band comprised George Bean (vocals, guitar), Patrick Speedy King (bass), Barry Martin (saxophones), John Pritchard (trumpet) and Rod Coombes (drums). Trifle signed to Pye's Dawn imprint in 1970 and their only album was recorded for later that year, by which time the band were joined by trumpet player Dick Cuthell for the recording sessions. In the vein of similar acts such as Manfred Mann Chapter Three and Colosseum, Trifle sought to fuse jazz and rock, also touching on folk styles (as evidenced by the fact that Trifle covered The Dubliners' "Dirty Old Town" (as the B-side to their' Old fashioned Prayer Meeting 'single). Remastered from the original master tapes with two bonus tracks. Includes booklet with restored artwork, photos & liner notes.

Guitar Man is a classy album from Bread which provided David Gates with reason enough to go solo. Just listen to "Aubrey" to hear how the producer/singer/songwriter could create a strong track with little or no help from his fellow musicians. On the other hand, two of his strongest songs, "Sweet Surrender" and "The Guitar Man," are totally products of a band in a groove. The three hits failed to break the Top Ten, though the title track came close, one notch away. It and the sublime "Sweet Surrender" both topped the adult contemporary charts in 1972, while "Aubrey" followed those two titles, going Top 15 itself in early 1973.

Over the past 20 years Australian progressive/alternative/underground rock of the early 1970s has taken on a huge cult collector following throughout the world. This is particularly so in Europe, where vast sums are paid for scarce original vinyl albums by such bands as Kahvas Jute, Galadriel, The Masters Apprentices, Fraternity, Blackfeather, Company Caine, Tamam Shud, Pirana, and New Zealand's Dragon - outfits which forged a distinctive Oz Rock sound that would eventually be embraced by an international mass audience.