Depuis le début de sa diffusion en France en 2019, New Amsterdam rassemble 3,5 millions de spectateurs chaque semaine. Mais saviez-vous que cette série s'inspirait des mémoires du Dr. Eric Manheimer, ancien directeur médical de l'hôpital Bellevue, à New York ? Découvrez son incroyable récit. …
"…The Mannheim Quartet emphasises the stormy Romantic outpourings of the Op. 9's outer movements while achieving a particularly fine inner balance in its lyrical Adagio, and the playing in the sunnier Quartet in E is notable for felicitous phrasing and balanced dynamics…
In the lineup of promising music geniuses whose lives were cut short, Norbert Burgmüller (1810-1836) is an imposing figure. During his lifetime, he made an impression on Mendelssohn and found an ardent champion in Schumann, who proclaimed "After Franz Schubert's early death, no other death could cause more grief than that of Burgmüller." He studied composition with Louis Spohr, who left a mark on the four string quartets. Three of them were completed while Burgmüller was still a student, but nothing in them suggests juvenilia. These are serious works steeped in a post-Beethoven outlook. While drawing upon Spohr's classicism and 'quatuor brillant' style, they look forward to early Romanticism and have lyrical qualities akin to Schubert.
In the lineup of promising music geniuses whose lives were cut short, Norbert Burgmüller (1810-1836) is an imposing figure. During his lifetime, he made an impression on Mendelssohn and found an ardent champion in Schumann, who proclaimed "After Franz Schubert's early death, no other death could cause more grief than that of Burgmüller." He studied composition with Louis Spohr, who left a mark on the four string quartets. Three of them were completed while Burgmüller was still a student, but nothing in them suggests juvenilia. These are serious and beautiful works steeped in a post-Beethoven outlook. All of them are in minor keys, and while drawing upon Spohr, they look forward to early Romanticism and have lyrical qualities akin to Schubert.
The present recording of Christoph Graupner’s Passion Cycle of 1741 concludes on Vol. 4 with the highly expressive cantata for Laetare Sunday GWV 1123-41. Laetare Sunday (‘Joy’ or ‘Refreshment’ Sunday), the fourth Lenten Sunday, actually assumes a certain special positive status with its central focus on God’s action, which alone can rid human beings of their failings. However, Johann Conrad Lichtenberg, the author of the text, had a different view: here the dominant theme is the inequity of the rulers and judges who pronounce on Jesus while he bears everything with patience.