Many Faces of The Cure

Without a doubt, The Cure is one of the most essentials bands from the 80s with an iconic image that is on pair with superstars of that time such as Madonna, Michael Jackson, Duran Duran and Boy George. Surging as part of the post punk and dark-rock movement, The Cure and especially their leader, Robert Smith, had the cunning ability to create -within their large catalog- multiple hit songs that have become absolute pop classics, without compromising its credibility. The Many Faces Of The Cure showcases the parallel paths of the band members, some of Robert Smith collaborations with other artists, the mostly unknown post-Cure projects by the band’s drummer / keyboardist Lol Tolhurst and by bassist Simon Gallup and of course, their songs, both performed by the band itself and by a large number of artists who have respectfully created fantastic new versions.

An incontrovertible influence within the electro-indie music realm, Depeche Mode went from being a cult, fringe act to stadium megastars, unusual for a band that has strived to maintain its own identity. They were one of the first acts to establish a sound based completely around the use of synthesizers, and although they began their existence as a bouncy dance-pop outfit, they gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of all time. In The Many Faces of Depeche Mode we will explore a different side of them, including collaborations, their side projects, their influences, plus a revision of their fantastic catalog. With fantastic artwork and remastered sound, The Many Faces of Depeche Mode is the ultima addition to the Many Faces collection, and also remember that the album is not available on streaming platforms!

Tommy is a soundtrack album by The Who with contributions from numerous artists. The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969. Pete Townshend oversaw the production of this double-LP recording that returned the music to its rock roots, and on which the unrecorded orchestral arrangements he had envisaged for the original Tommy LP were realised by the extensive use of synthesiser…