Maps to The Stars

The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star.

The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star. One of Stafford's clients, Havana, is an actress who dreams of shooting a remake of the movie that made her mother, Clarice, a star in the 60s. Clarice is dead now and visions of her come to haunt Havana at night… Adding to the toxic mix, Benjie has just come off a rehab program he joined when he was 9 and his sister, Agatha, has recently been released from a sanatorium where she was treated for criminal pyromania and befriended a limo driver Jerome who is also an aspiring actor.

The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star. One of Stafford's clients, Havana, is an actress who dreams of shooting a remake of the movie that made her mother, Clarice, a star in the 60s. Clarice is dead now and visions of her come to haunt Havana at night… Adding to the toxic mix, Benjie has just come off a rehab program he joined when he was 9 and his sister, Agatha, has recently been released from a sanatorium where she was treated for criminal pyromania and befriended a limo driver Jerome who is also an aspiring actor.

The Weiss family is the archetypical Hollywood dynasty: father Stafford is an analyst and coach, who has made a fortune with his self-help manuals; mother Cristina mostly looks after the career of their son Benjie, 13, a child star. One of Stafford's clients, Havana, is an actress who dreams of shooting a remake of the movie that made her mother, Clarice, a star in the 60s. Clarice is dead now and visions of her come to haunt Havana at night… Adding to the toxic mix, Benjie has just come off a rehab program he joined when he was 9 and his sister, Agatha, has recently been released from a sanatorium where she was treated for criminal pyromania and befriended a limo driver Jerome who is also an aspiring actor.

Hollywood: Eine in die Jahre gekommene Diva kämpft um die Rolle, mit der ihre vor Jahren in einem Feuer gestorbene Mutter berühmt geworden ist. Ein aufstrebender Schauspieler-Schrägstrich-Drehbuchautor hält sich mit dem Fahren von Limousinen über Wasser und hofft, einen Kunden zu fahren, dem er sein Zeug andrehen kann. Ein zynischer Kinderstar, der sich nur über die Einspielergebnisse seiner letzten hohlen Kiddie-Komödie definiert. Seine Mutter, die in Verhandlungen eiskalt ist, aber innerlich wegen ihres kaputten Lebens schreien will. Ätzender Blick auf Hollywood und den aufgesetzten und oberflächlichen Lebensstil der Reichen und Schönen in Los Angeles.

The ugly American bullying his way through a foreign country was a subject for comedy in several films of the 1980s, most notably Bill Forsyth's Local Hero and this film from exiled Yugoslavian director Dusan Makavejev. Eric Roberts plays Becker, an aggressive marketing executive for the Coca-Cola Company; he has been assigned to figure out why sales in hot and dry Australia aren't higher. Becker comes up against a low-key but formidable adversary, T. George McDowell (Bill Kerr), whose homegrown soda has cornered the market in his little corner of the country. Complicating matters is Terri, a local woman (Greta Scacchi) Becker hires as his secretary; she's McDowell's daughter and a single mom who's romantically attracted to the brash American. Becker wants to make a deal on his (and his employer's) terms, but he finds himself falling prey to the charms of life Down Under and the ministrations of Terri.