Margaret George

George Crumb - Makrokosmos I & II (1972-73) for amplified piano - Margaret Leng Tan (2004) {Mode 142 Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download (deezer.com) -> 236 Mb | MP3 @320 -> 156 Mb | Cover | 5% repair rar
© 2004 Mode Records | Mode 142
Classical / Contemporary Classical

Makrokosmos I and II for amplified piano (1972-1973) are vintage works by George Crumb, composed during the highly productive period that yielded his mystical Songs, Drones and Refrains of Death; Ancient Voices of Children; and Black Angels – an impressive output that had a tremendous influence on the experimental music of the 1970s. This 2004 recording of Crumb's 24 fantasy pieces on the Zodiac may seem a bit of a trip down memory lane, insofar as comparisons with the historic Nonesuch and Columbia Odyssey LPs are inevitable; and it is apparent now how widely Crumb's original techniques infiltrated the piano music of his contemporaries.

For decades there has been only one recording of Admeto available: a quite splendid performance from 1977 (Virgin Records 5613692) directed by Alan Curtis with Il complesso barocco. One of the first baroque operas to be recorded with original instruments, it reflects the best of the historical performance movement. It is thus with considerable anticipation and curiosity that one approaches this new release of Handel’s Admeto, sung in English (to a fine translation by Geoffrey Dunn), directed by Sir Anthony Lewis, and recorded just nine years earlier in 1968. The cast for this recording is no less remarkable. Dame Janet Baker plays the self-sacrificing Alcestis; Admetus is sung elegantly and expressively by Maureen Lehane; Sheila Armstong is a brilliant and stylish Antigona, and the mezzo soprano Margaret Lensky provides a touching portrayal of the lovesick Thrasymedes.