Maria Pia de Vito

Enzo Pietropaoli (born in 1955) is an Italian jazz bassist. Pietropaoli has performed or recorded with, among others, Chet Baker, Lester Bowie, Woody Shaw, Kenny Wheeler, Franco Ambrosetti, Bob Berg, Johnny Griffin, Michael Brecker, Lee Konitz, Archie Shepp, Phil Woods, Curtis Fuller, Toots Thielemans, Richard Galliano, Gianni Coscia, John Taylor, Rita Marcotulli, Cedar Walton, John Abercrombie, John Scofield, Joe Pass, Pat Metheny, Ginger Baker, Han Bennink, Billy Cobham, Kenny Clarke, Maria Pia De Vito, Norma Wynstone, Gianmaria Testa.

Live 2012 is the ninth album by Area. It was recorded in 2011 and 2012 during their reunion tour, which marked the return of Paolo Tofani and Ares Tavolazzi who had left the band in 1977 and 1993, respectively. Classic drummer Giulio Capiozzo died in 2000 of a heart attack, his replacement is drummer Walter Paoli. The album is divided in two parts. The first CD includes old songs by the band, in new arranged versions. Most of them are instrumentals (due to the absence of Demetrio Stratos, who died in 1979), except for "La Mela di Odessa", narrated by Tofani, and "Cometa Rossa", sung by special guest singer Maria Pia de Vito…

TRIGONO is the result of a brand new project. An incredible string quartet (Quartetto Alborada), a wonderful pianist (Rita Marcotulli), and a talented and young jazz musician (Marco Bardoscia). A crossroad of emotions and differences mingled in the same place.

It's a bold concept; take Pink Floyd's iconic Dark Side of the Moon (Harvest, 1973) and reinterpret it in a big band jazz setting. With upwards of forty million copies sold, every note, every nuance of Floyd's eighth album is so firmly entrenched in the minds of the band's legion devotees that to tamper with the work in any way is to leave oneself open to facile criticism. French-Vietnamese guitarist Nguyên Lê, however, is nothing if not adventurous. Lê has already demonstrated on Purple: Celebrating Jimi Hendrix (ACT Music, 2007) and Songs of Freedom (ACT Music, 2012)—his tribute to classic pop and rock songs of the 1960s and 1970s—that he can breathe new life into old material without being overly reverential.