Mariachi Instrumental

It's not quite rock, it's not quite country, not quite lounge - it's unique. It's Lee Hazlewood, that's what it is. This 2-CD set contains all his solo recordings for MGM from 1965-67, including the rare Something Special" LP, and comes with a fully illustrated 20-page biography."

It's not quite rock, it's not quite country, not quite lounge - it's unique. It's Lee Hazlewood, that's what it is. This 2-CD set contains all his solo recordings for MGM from 1965-67, including the rare Something Special" LP, and comes with a fully illustrated 20-page biography."

Zakary Thaks - Form The Habit (2001) {Sundazed BRCD131 rec 1966-1969}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 155 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (jpg) -> 111 Mb | 5% repair rar
© 1966-69, 2001 BeatRocket / Sundazed Music | BRCD 131
Rock / Garage Rock / Psychedelic Rock

Both sides of all six of Zakary Thaks' singles are on this last-word compilation, along with three instrumental versions of tracks from the 45s. All of this material has been reissued before on Eva's J-Beck Story 2, with the exception of instrumental versions of "Face to Face" and "Green Crystal Ties." Still, this marks the first time everything's been available in this fidelity in the U.S., bolstered by the inclusion of a lengthy interview with lead singer Chris Gerniottis in the liner notes. It takes its place as one of the very best single-artist '60s garage reissues, the songwriting and musicianship at a far higher level than most '60s garage bands could boast, with just as much insouciant youthful energy.

It's been two years since the Gipsy Kings' masterpiece Roots, an album where they kissed big, extravagant production, as well as big drums and keyboards, goodbye. Apparently old habits are hard to break. On the cover of 2007's Pasajero, the Kings look back to the natural thang. They are posed on a picnic table in the middle of some wild grass and trees, playing together, laughing, and singing. Covers can be deceiving, and this is one of them. Pasajero is a big return to glossy sound, extravagant production, big drums, dub bass, and electronic programming and percussion. There's no problem if you dig your Kings that way, of course. The group lays down impeccable nuevo flamenco fusion with all sorts of world traditions, such as reggae on "Pueblos," with a splashy horn section playing in fine dub-cum-mariachi style and a bubbling bassline over the drums.

A fusion of instrumental sounds that come from jazz, funk, progressive rock and the popular tradition of mariachi, all this collided by a turntable that throws scratches as fresh whiffs into this peculiar mix. Far from jazz for elevators, Troker export their music direct from the Tequila land, Guadalajara, Mexico, to the world.