Marianne James

In early 1971, Marianne Faithfull – whose personal life was not in the best shape and whose commercial prospects were idle as she had released just one single since early 1967 – recorded an album's worth of material with producer Mike Leander, who had worked with Faithfull in the 1960s. Leander hoped to place the album with Bell Records, but despite some initial positive feedback, Bell rejected the record after it was completed.

In early 1971, Marianne Faithfull – whose personal life was not in the best shape and whose commercial prospects were idle as she had released just one single since early 1967 – recorded an album's worth of material with producer Mike Leander, who had worked with Faithfull in the 1960s. Leander hoped to place the album with Bell Records, but despite some initial positive feedback, Bell rejected the record after it was completed.

This box collects several recordings of Satie's piano music by Dutch pianist Reinbert de Leeuw, going back as far as 1977, with an English-language DVD (not reviewed, but the idea is attractive) including a fictionalized presentation of Satie's relationship with artist Suzanne Valadon (after they broke up, he hung in his window cataloging her faults, but the film apparently doesn't get to the fun stuff). The provenance of the music on the third CD, consisting mostly of songs and featuring soprano Marjanne Kweksilber, is unclear from the booklet, and it's a poor choice for the non-Francophone – no song texts are provided at all. The piano music from de Leeuw is another matter, however. It is immediately distinctive in its slow tempos and dreamy, rather lugubrious tone.