Marie Flore Intimes

The track list on René Marie's latest release reads like an iPod in random shuffle mode gone haywire: a Temptations classic is followed by a Jefferson Airplane classic, which is followed by Dobie Gray's hit "Drift Away." There's Dave Brubeck's "Strange Meadow Lark" and the American folk standards "John Henry" and "O Shenandoah," and a sensuous Latin ballad, "Angelitos Negros."

One may be surprised to hear in this recording the Sonata Op. 108 in D minor for cello and not for violin as Brahms conceived it. But, purists be damned, transcription in the 19th century was common practice, if only to facilitate the dissemination of works at a time when sound recording was not yet available! Indeed, didn’t Brahms himself transcribe his two Clarinet Sonatas Op. 120 for viola? In the present recording, Marie- Claude Bantigny has chosen simply to play the violin part an octave lower, without modifying the piano part in any way (unlike Paul Klengel in Op. 78), which allows the score to be heard practically in its original conception, like the same Lied that would be sung by a soprano or a bass baritone.

The track list on René Marie's latest release reads like an iPod in random shuffle mode gone haywire: a Temptations classic is followed by a Jefferson Airplane classic, which is followed by Dobie Gray's hit "Drift Away." There's Dave Brubeck's "Strange Meadow Lark" and the American folk standards "John Henry" and "O Shenandoah," and a sensuous Latin ballad, "Angelitos Negros."

Chopin, minimalism and Armenian flair come together on Études Mélodiques, the debut DG album from composer-pianist Marie Awadis. Its 12 tracks for solo piano reveal her individual and unique voice, a product of the diverse influences that enrich her music. The classical foundations of her conservatory years persist – with Chopin providing the obvious formal starting point – but they’re interwoven with aspects of everything from Bach to Kancheli, via jazz and the Armenian folk tunes she has known since childhood. And, reflecting a more recent musical discovery, the dual strands of US and European minimalism also play a key role here.

Chopin, minimalism and Armenian flair come together on Études Mélodiques, the debut DG album from composer-pianist Marie Awadis. Its 12 tracks for solo piano reveal her individual and unique voice, a product of the diverse influences that enrich her music. The classical foundations of her conservatory years persist – with Chopin providing the obvious formal starting point – but they’re interwoven with aspects of everything from Bach to Kancheli, via jazz and the Armenian folk tunes she has known since childhood. And, reflecting a more recent musical discovery, the dual strands of US and European minimalism also play a key role here.

For their debut album on ATMA Classique, violinist Marie Begin and pianist Samuel Blanchette-Gagnon present sonatas for violin and piano by Claude Debussy and Cesar Franck, as well as Karol Szymanovski's Mythes, Op. 20, a rarity in the modern repertoire for violin and piano.

The Japanese harpsichordist and harpist, Marie Nishiyama, began studying piano at age 3 In 1992 she graduated from the piano department of Tokyo Music University with piano soloist diploma, and in 1994 also received her master's degree in harpsichord there. She studied under Yoshio Watanabe (harpsichord) and Yoshiko Ueda (organ).