Marillion Essential

At the time, Marillion's remarkable, full-fledged 1983 debut Script for a Jester's Tear was considered an odd bird: replete with Peter Gabriel face paint and lengthy, technical compositions, Marillion ushered in a new generation of prog rock that bound them forever to the heroics of early day Genesis. Intricate, complex, and theatrical almost to a fault, Script for a Jester's Tear remains the band's best and sets the bar for their later work. Filled with extraordinary songs that remained staples in the band's live gigs, the album begins with the poignant title track, on which Fish leads his band of merry men on a brokenhearted tour de force that culminates with the singer decrying that "…the game is over"…

At the time, Marillion's remarkable, full-fledged 1983 debut Script for a Jester's Tear was considered an odd bird: replete with Peter Gabriel face paint and lengthy, technical compositions, Marillion ushered in a new generation of prog rock that bound them forever to the heroics of early day Genesis. Intricate, complex, and theatrical almost to a fault, Script for a Jester's Tear remains the band's best and sets the bar for their later work. Filled with extraordinary songs that remained staples in the band's live gigs, the album begins with the poignant title track, on which Fish leads his band of merry men on a brokenhearted tour de force that culminates with the singer decrying that "…the game is over." "He Knows You Know,," a song sprinkled with drug paranoia and guilt; as the song veers to its chorus, Fish announces, "Fast feed, crystal fever, swarming through a fractured mind…

Named after Marillion's Number Two U.K. Chart hit "Kayleigh," this set offers a haphazard track listing (identical to '96's Essential Collection) culled from the neo-prog giants' Fish-fronted period. As such, bona fide hits like the title track, "Lavender" and "Punch & Judy" are combined with less well-known (but usually still top-notch) fare such as "Jigsaw," "Lady Nina," and the monstrously overblown epic "Grendel."

As far as the more casual observer is concerned, the prog rock revival of the 80s was kicked off by Marillion and their ‘Market Square Heroes’ EP and subsequent hit album ‘Script for A Jester’s Tear’ in 1983. Marillion certainly flew the flag for prog’s unexpected commercial success during that decade, but the rumblings of a brilliant, but terminally unfashionable musical revival had actually begun much earlier.

This German Neo Prog act from Bremen begun life in 1993 with its mastermind Dirk Berger on bass and the original crew featuring Willie C. Kimbrough on vocals, Thorsten Klein on guitars, Lars Ebsen on drums and Andreas Meyer on keyboards. Thorsten Klein would quit two years later, he was replaced by Stephan Dinter, and prior to the recordings of their debut Ebsen was replaced by new drummer Erik Pilger and Kimbrough left his place to Malte Twarloh. With this line-up Seasons of Time recorded their debut ''Behind the mirror'' in 1997, a dramatic concept work dealing with a mad woman who killed her children for the sake of her new lover, containing evident hints from the music of GENESIS, PINK FLOYD, MARILLION and PENDRAGON.