Father of the Bride is the upcoming fourth studio album by American indie rock band Vampire Weekend. It will be released on May 3, 2019 by Columbia Records, and is their first release on a major label. The album was preceded by three double singles: "Harmony Hall" / "2021", "Sunflower" / "Big Blue" and "This Life" / "Unbearably White". The album's release will mark the band's first project in nearly six years, following Modern Vampires of the City (2013), and the group's first album since multi-instrumentalist and producer Rostam Batmanglij's departure from the group. The album was primarily produced by Modern Vampires of the City collaborator Ariel Rechtshaid and lead singer Ezra Koenig, and features numerous external collaborators, including Danielle Haim, Steve Lacy, Dave Macklovitch of Chromeo. DJ Dahi, David Longstreth, BloodPop, Mark Ronson, and Batmanglij. The album is musically diverse, and heavily referential, contrasting dark and direct lyrics over a bright spring-time musical mood, with a stronger American influence than on the group's previous work.
he most tantalizing of the "lost" Tod Browning films, London After Midnight has gained a near-legendary status in recent years, especially since so many critics of the 1930s considered the film as vastly superior to its 1935 remake, Mark of the Vampire. Clearly inspired by the stage version of Dracula, the story concerns a fog-ridden London neighborhood that seems to have become a breeding ground for vampires. Ever since the mysterious death of wealthy old Mr. Balfour, strange things have been happening, prompting Scotland Yard inspector Edmund Burke (Lon Chaney) to investigate. For a while, it looks as though Burke is as stymied as the local authorities, especially when heroine Lucy Balfour (Marceline Day) is confronted with the "living corpse" of her father. But it soon develops that both Burke and Lucy are working in concert, staging an elaborate hoax to trap her dad's murderer into a confession. It is giving nothing away at this late date to reveal that Burke and the mysterious, fang-toothed "vampire man" Mooney are one in the same; indeed, this plot revelation hardly took anyone by surprise in 1927. A shooting script for London After Midnight still exists, suggesting that, if anything, the much-maligned Mark of a Vampire (in which the main "detective" role was split between Lionel Barrymore and Bela Lugosi) was an improvement on the original. ~ Hal Erickson, All Movie Guide
Cindy and Lucy are eighteen and going away to college. As a ritual they must rid themselves of the dirt of their small home town (Allburg) by swimming in an abandoned church crypt. They jump in and begin talking about sex when Lucys crucifix falls into the water and drifts down to land on Czakyr's (an ancient vampire) head, apparently waking him up. Some time onwards a school teacher from a nearby town, Mark, gets directed to Allburg to help Lucy and her grandmother, who are suspected to be in trouble. Lucy becomes the target of a town turned vampire because of her 'virgin blood'. Mark, Lucy and an old wino shack up in an abandoned building outside of town but eventually get lured back to Allburg by the locals. There, with a giant glowing cross spearing the front of their Toyota, they take the town on and battle Czakyr. They win and life is restored to its original normalcy.
The Mint Tattoo was born as an offshoot of the legendary 60's proto punk acid band Blue Cheer. Bruce Stevens and Ralph (Burns) Kellogg had played together in Blue Cheer on band's self titled album in 1969, but after that one album, Stevens left the band to pursue other interests. Kellogg stayed on with Blue Cheer until the demise of the band in 1971, but during his tenure with Blue Cheer he reunited with Stevens along with drummer Gregg Thomas to form the band Mint Tattoo. Produced by James William Guercio (Chicago) and engineered by Phil Ramone in New York, the Mint Tattoo is a mixture of blues styled original songs, a cover of classic a blues numbers and some rather uninspired, typical for the era hard rock tunes…