In 1718 Vivaldi entered the employment of Prince Philip of Hesse-Darmstadt who had been appointed governor of Mantua, then part of the Austrian Empire. His responsibilities seem to have been varied but probably the most important of them was to provide operas for his employer’s court. One of these was Tito Manlio, which was produced for the Mantuan Carnival season in 1719; and, if we are to believe a note by Vivaldi himself at the head of the score, written in the space of five days.
This Mass in B Minor led by Sir Neville Marriner is an excellent choice for those looking for modern orchestral instruments, lively, full adult choruses, and a solid lineup of soloists. Marriner’s performance lacks the ponderously stodgy tempos of those older recordings, but he does not bypass the beauty, spirituality, or grandiosity inherent in the music in favour of speed.
John Eliot Gardiner's is a highly musical and inspired account of Messiah, featuring an excellent group of soloists and an outstanding period-instrument band. With dance rhythms athletically sprung and da capo arias tastefully ornamented, the performance generates consistent interest and is lively in spite of its length. There is splendid choral singing from the Monteverdi Choir–the ending of "All We Like Sheep" is quite potent–and much wonderful work from the soloists. The recording, made in 1982, is impeccable.
John Eliot Gardiner's is a highly musical and inspired account of Messiah, featuring an excellent group of soloists and an outstanding period-instrument band. With dance rhythms athletically sprung and da capo arias tastefully ornamented, the performance generates consistent interest and is lively in spite of its length. There is splendid choral singing from the Monteverdi Choir–the ending of "All We Like Sheep" is quite potent–and much wonderful work from the soloists. The recording, made in 1982, is impeccable.
Joseph Haydn the composer of symphonies, string quartets, piano trios, piano sonatas, and a plethora of other instrumental works was also Joseph Haydn the composer, director, and producer of operas. His employer, Prince Nikolaus Esterházy, greatly enjoyed opera, and for nearly 20 years Haydn's full-time job was running the theater at Esterháza, the Prince's pleasure palace in Hungary. In the first decade, Haydn wrote 10 operas for his company, the most successful of which ran for 20 performances. In tone, they range from the comic to the semi-serious to the wholly serious, and in quality, they range between the operas of Gluck and Mozart.
Esoteric Recordings are pleased to announce a 2CD Anthology by the classic Scottish Progressive Rock group Beggars Opera. Drawing on material from the band’s first four albums, recorded for the legendary Vertigo label, "Nimbus" features 27 of the band’s best tracks.
Formed in Glasgow in 1969 with a line-up of Rick Gardiner (Guitar, Vocals), Alan Park (Keyboards), Martin Griffiths (Vocals), Marshall Erskine (Bass, Flute) and Raymond Wilson (Drums), the band signed to the newly established progressive arm of Philips Records, Vertigo, in 1970. Their debut album, "Act One" gained some success in Europe with tracks such as ‘Poet and Peasant’ and ‘Passacagalia’…
Esoteric Recordings are pleased to announce a 2CD Anthology by the classic Scottish Progressive Rock group Beggars Opera. Drawing on material from the band’s first four albums, recorded for the legendary Vertigo label, "Nimbus" features 27 of the band’s best tracks.
Formed in Glasgow in 1969 with a line-up of Rick Gardiner (Guitar, Vocals), Alan Park (Keyboards), Martin Griffiths (Vocals), Marshall Erskine (Bass, Flute) and Raymond Wilson (Drums), the band signed to the newly established progressive arm of Philips Records, Vertigo, in 1970. Their debut album, "Act One" gained some success in Europe with tracks such as ‘Poet and Peasant’ and ‘Passacagalia’…
Altoist Paul Desmond and baritonist Gerry Mulligan always made for a perfect team during their infrequent collaborations. Both of the saxophonists had immediately distinctive light tones, strong wits, and the ability to improvise melodically. Here the two masterful reed players are featured in pianoless quartets that also include Wendell Marshall, Joe Benjamin or John Beal on bass, and Connie Kay or Mel Lewis on drums. The songs all utilize common chord changes, including the two "originals" ("Two of a Mind" and "Blight of the Fumble Bee"), and the interplay between Desmond and Mulligan is consistently delightful. Highly recommended.
Esoteric Recordings are pleased to announce a 2CD Anthology by the classic Scottish Progressive Rock group Beggars Opera. Drawing on material from the band’s first four albums, recorded for the legendary Vertigo label, "Nimbus" features 27 of the band’s best tracks.
Formed in Glasgow in 1969 with a line-up of Rick Gardiner (Guitar, Vocals), Alan Park (Keyboards), Martin Griffiths (Vocals), Marshall Erskine (Bass, Flute) and Raymond Wilson (Drums), the band signed to the newly established progressive arm of Philips Records, Vertigo, in 1970. Their debut album, "Act One" gained some success in Europe with tracks such as ‘Poet and Peasant’ and ‘Passacagalia’…