Martha Argerich

The box comprises all (live) recordings made by Martha Argerich at the Lugano Festival, from 2002 to the last edition in 2016, and released by EMI Classics and Warner Classics. An impressive collection of 22CDs without equivalent. ü It includes a variety of genres: some solo piano music, lots of music for piano duo and among them many arrangements, chamber works and concertos. ü The composers span the 18th, 19th and 20th centuries, with Schumann, Mozart, Ravel, Beethoven, Rachmaninov, Brahms and Shostakovich being the most frequently performed. Among the artists appearing with Argerich on these recordings are: Stephen Kovacevich, Renaud Capuçon, Gautier Capuçon, Lilya Zilberstein, Mischa Maisky, Lyda Chen, Alexander Mogilevsky, Gabriela Montero, Yefim Bronfman, Maxim Vengerov, Gidon Kremer, Maria Joao Pires, Mauricio Vallina, Mikhail Pletnev, Alexander Vedernikov…

The newly released album "Martha Argerich - Great Piano Pieces" is a collection featuring Martha Argerich's performances of works by various composers. Known for her passionate and technically remarkable interpretations, this album showcases a range of classical piano pieces that highlight Argerich's virtuosity and expressive style. Released in 2024 under the Warner Classics label.

The newly released album "Martha Argerich - Great Piano Pieces" is a collection featuring Martha Argerich's performances of works by various composers. Known for her passionate and technically remarkable interpretations, this album showcases a range of classical piano pieces that highlight Argerich's virtuosity and expressive style. Released in 2024 under the Warner Classics label.

There are very few good pianists, many average ones, and only one Martha Argerich. Born in Buenos Aires (Argentina) in 1941, this shooting star of the piano galaxy - who would've become a doctor had music not managed to tempt her away - has barely ever followed in anyone else's footsteps, and it works. Despite the range of her discography, there are no "intégrales", and her calendar is so eclectic it seems like she never signs a contract, if only to preserve her artistic freedom. Independent, unpredictable, impetuous, these are Martha Argerich's trademarks. Her music is both her sensuality and her family, working with a whole host of collaborators, from Daniel Barenboim to Gidon Kremer, Charles Dutoit and Stephen Kovacevich.

Between 2008 and 2014 Universal Classics reissued nearly all of Martha Argerich’s Deutsche Grammophon recordings in a series of boxed sets, largely according to genre (solo, chamber, duo, concerto, and so forth). There also was a box containing her output for the Philips label and another devoted to her complete recordings with Claudio Abbado. All of this material appears anew in DG’s 48-CD collection Martha Argerich: The Complete Recordings on Deutsche Grammophon, with the addition of the 1977 Stravinsky Les Noces conducted by Leonard Bernstein, the Chopin and Schumann duos with cellist Mstislav Rostropovich, and more recent releases like the Berlin and Cologne Chopin Radio Recordings, the 2014 duo piano recital with Daniel Barenboim, and the 4-disc Lugano Concertos collection. The discs are packaged in original-jacket facsimiles and sequenced in more-or-less chronological order by release date.

Martha Argerich is widely considered one of the greatest pianists of the late 20th and early 21st centuries. Unusually, her genius reveals itself mostly in collaborations: with orchestras and conductors in concertos, and with chamber musicians.

Warner Classics is pleased to release the 12th annual 3-album set of highlights from the Progetto Martha Argerich in Lugano, described in The Times (London), as “community music-making on a deluxe scale, with performers and listeners mutually uplifted by music’s wonders.” The recordings celebrate the musical fruits of a project in which young artists join seasoned performers, including Martha Argerich herself, to explore wide-ranging chamber music and orchestral repertoire, both well-known and rarely heard.

Warner Classics is pleased to release the 12th annual 3-album set of highlights from the Progetto Martha Argerich in Lugano, described in The Times (London), as “community music-making on a deluxe scale, with performers and listeners mutually uplifted by music’s wonders.” The recordings celebrate the musical fruits of a project in which young artists join seasoned performers, including Martha Argerich herself, to explore wide-ranging chamber music and orchestral repertoire, both well-known and rarely heard.