Martyna Pastuszka

On his second album for Sony Classical violinist Luka Faulisi presents a highly individual interpretation of Vivaldi's pioneering masterpiece, 'The Four Seasons'. The violinist's cinematic approach to 'The Four Seasons' involved encouraging members of the orchestra to engage with the composer's onomatopoeic animal and nature sounds and adding percussion not found in the original scores. Faulisi has also opted to splice Vivaldi's concertos with three complementary works inspired by the seasons: a traditional Catalan melody made famous by Pablo Casals, 'El cant dels ocells'; the haunting 'Nocturne' by Lili Boulanger; and an excerpt from Tchaikovsky's 'The Seasons', 'October - Autumn Song', a piece of understated romanticism inspired by Tolstoy.

This CD sketches a portrait of the musical reality of the British Isles during the first half of the 18th century. The huge success of the Italian concerto grosso was a response to the necessity of freeing music from a secondary role to which it found itself confined, notably in France with ballet music. Unaffected by the rivalry between French and Italian music, the British seemed to be attracted by purely instrumental music; the concerto grosso consequently afforded them a freshness, a boldness, and a hint of unique maestria that held an immediate appeal.

This CD sketches a portrait of the musical reality of the British Isles during the first half of the 18th century. The huge success of the Italian concerto grosso was a response to the necessity of freeing music from a secondary role to which it found itself confined, notably in France with ballet music. Unaffected by the rivalry between French and Italian music, the British seemed to be attracted by purely instrumental music; the concerto grosso consequently afforded them a freshness, a boldness, and a hint of unique maestria that held an immediate appeal.

On his second album for Sony Classical violinist Luka Faulisi presents a highly individual interpretation of Vivaldi's pioneering masterpiece, 'The Four Seasons'. The violinist's cinematic approach to 'The Four Seasons' involved encouraging members of the orchestra to engage with the composer's onomatopoeic animal and nature sounds and adding percussion not found in the original scores. Faulisi has also opted to splice Vivaldi's concertos with three complementary works inspired by the seasons: a traditional Catalan melody made famous by Pablo Casals, 'El cant dels ocells'; the haunting 'Nocturne' by Lili Boulanger; and an excerpt from Tchaikovsky's 'The Seasons', 'October - Autumn Song', a piece of understated romanticism inspired by Tolstoy.

The Historical Orchestra , a team directed by Martyna Pastusza specializing in historical performance, invites you to the world of French baroque music. In this era, political and artistic life on the Seine was focused on the stunningly lavish Versailles court of Louis XIV. The Sun King gathered around himself a great array of musicians who were extremely important to him- he danced in ballet shows himself- and the performances were not only a popular entertainment, but also a dramatized allegory of government. Of the composers presented on the album, only Michele Corrette was not associated with the royal court. Apart from him, the recording includes compositions of such celebrities as Jean Baptiste Lully, violin virtuoso and dancer, unparalleled gambist Marain Marais and famous organist François Couperin.

On his second album for Sony Classical, set to be released on April 12, violinist Luka Faulisi presents a highly individual interpretation of Vivaldi’s pioneering masterpiece, The Four Seasons.

Unlike today, neither George Frideric Handel nor Antonio Vivaldi was the most famous and most performed opera composer in the first third of the 18th century, but rather Leonardo Vinci (ca. 1696-1730). Educated in Naples, he was successful there from 1719, initially with several operas buffe before he turned to the more prestigious opera seria in 1722 with immediate success. As one of the most important representatives of the Neapolitan School, he left his mark on the Italian and soon also the European opera scene. Even Handel in faraway London could not avoid his music: in order to satisfy the public's taste, he put several pasticcios with their arias on the repertoire of his failing opera company. In 1730 Vinci died suddenly after colicky pains, and it was soon rumored that he had been the victim of a poison attack.

The album, which is being released by Supraphon in its Music of the 18th-century Prague series, is focused on works by the important lutenist and composer, Count Jan Antonín Losy (1651–1721), looking at them from an unusual point of view. The album, aptly called Losy, Weiss: Lute Music in Prague and Vienna, circa 1700, also presents compositions originally written for lute, in alternative but original period versions. Historical instruments player, teacher, researcher and producer Jan Čižmář recorded the music with the Polish {oh!} Ensemble, headed by violinist Martyna Pastuszka. The result is a revealing album premiering some of Losy’s lute compositions in unusual and varied sound versions and is being released by Supraphon on 24 May 2024 on CD and in digital formats.