Marvel Film

is the comic book adaptation of the film , published by Marvel Comics in 1982. It was written by Archie Goodwin with art by Al Williamson, Carlos Garzon with Dan Green and Ralph Reese. The Jim Steranko cover leads into a 45-page adaptation which includes one possible explanation of the title's significance in story context: the narrative line, "Blade runner. You're always movin' on the edge." This was issue 22 of the Marvel Comics Super Special series of titles, published by Marvel Comics from 1977 to 1985, which by this time only printed Marvel's movie adaptations. It was reprinted in a two issue mini series but without the feature content contained in this special, which, with the added feature content, brings to 65 (plus covers) the total number of pages. I have been searching for this relatively rare (i.e., for digital scans) issue and I hope you enjoy it.

Captain Marvel (Original Motion Picture Soundtrack) is the soundtrack to the Marvel Studios film of the same name. The score, composed by Pinar Toprak, was released by Hollywood Records on March 8, 2019 in the United States. In May 2018, Clark Gregg indicated that the film's soundtrack would include songs from the 1990s. Pinar Toprak signed on to compose the film's score the following month, making her the first woman to score an MCU film. Toprak said that the main part of the score's development was the title character's theme, while later developing themes for the Kree and the Skrulls, whom she tried to connect in order to "find the universe" for the film's scenes in space and Earth, while describing the scenes on Earth as "fun". Toprak tried to develop the film's theme as a theme "that is recognizable from the first two notes". She began developing the film's theme by "humming ideas", eventually coming with "a minor-seven interval" during a walk, which she used as the film's theme. Toprak said that Danvers' theme is "strong and powerful", but also emotional, in order to focus on the character's vulnerability.

We are living in the age of the superhero and we cannot deny it. Avengers Assemble! is a vibrant and theoretically informed interrogation of one of the defining and most financially successful film franchises of the new millennium. In the first single-authored monograph on the topic of the Marvel cinematic universe, Terence McSweeney asks, "Why has the superhero genre reemerged so emphatically in recent years?" In an age where people have stopped going to the cinema as frequently as they used to, they returned to it in droves for the superhero film. What is it about these films that has resonated with audiences all around the globe? Are they just disposable pop culture artifacts or might they have something interesting to say about the fears and anxieties of the world we live in today?