Masochistic

To sum it up simply, Singapore Sling is a work of extreme cinema; featuring all manner of things from sadomasochism to incest…but it's shot in a style reminiscent of the classic film noirs from the golden age of cinema. The two styles offset each other constantly, and this gives the film an extremely surreal atmosphere as well as a completely unique style that ensures Singapore Sling is nothing like any other film ever made. The film was made in Greece, which makes it almost unique in its own right as Greece isn't a country famous for film-making. The plot focuses on a detective who is looking for a girl named Laura. One night, he stumbles upon two women burying a body and we are introduced to what has to be one of the most "offbeat" mother and daughters in cinema. We then follow the daughter as she details the things her and her mother get up to, before the weary detective; who is given the name 'Singapore Sling', stumbles into the pair's home and ends up becoming 'involved' in more insane games.

Employing shock techniques and sound design in a relentless sensory assault, Requiem for a Dream is about nothing less than the systematic destruction of hope. Based on the novel by Hubert Selby Jr., and adapted by Selby and director Darren Aronofsky, this is undoubtedly one of the most effective films ever made about the experience of drug addiction (both euphoric and nightmarish), and few would deny that Aronofsky, in following his breakthrough film Pi, has pushed the medium to a disturbing extreme, thrusting conventional narrative into a panic zone of traumatized psyches and bodies pushed to the furthest boundaries of chemical tolerance. It's too easy to call this a cautionary tale; it's a guided tour through hell, with Aronofsky as our bold and ruthless host.

An unfaithful wife encounters the zombie of her dead lover, who's being chased by demons after he escaped from their sado-masochistic Hell.

When the Parisian bourgeois Geneviève Le Theil travels to Dijon to resolve outstanding subjects in the inheritance left by her wealthy aunt, she mistakenly opens the door of another room in the hotel, finding a suicidal near death on the bed. Later Geneviève goes to the hospital and is introduced to Renaud Sarti, the nihilistic alcoholic vagrant she saved. Geneviève falls in love for Renaud and brings him to her apartment in Paris, initiating a destructive, masochistic and corrupt relationship with the abusive man.

A classic exploitation movie from 1974 that shows Norifumi Suzuki's lush visual style at its peak. A young woman joins a convent where sexual abstinence is required and straying from the path of god is severely punished. Features lots of bare breasts and several whipping scenes. The general mood is pretty similar to that of the Female Convict: Scorpion and Zero Woman series.

When David s (Sam Page) fiancé Georgie (Natassia Malthe) is kidnapped while on a vacation in Spain, she becomes the trophy of a dangerous and masochistic psychopath known as the White Arab (David Gant). While Georgie fights for her life and her sanity, David must wade through a quagmire of corrupt officials, drug dealers and crazed locals in an attempt to discover her location and rescue her before it is too late.

Albums: Sehnsucht; Mutter; Reise, Reise; Reise, Reise(SHM-CD); Rosenrot(SHM-CD) and Liebe Ist für Alle Da(SHM-CD).

Detective Leonard Diamond's (Wilde) efforts to bring down mob Kingpin Mr. Brown (Conte) border on obsession. Leonard is equally driven to win the affections of Brown's girlfriend, classy blonde Susan Lowell (Wallace), who is physically attracted to the dynamic, aggressive Brown even as she suspects him of terrible crimes. After reprimands for overspending from his superiors, Diamond threatens and cajoles previous Brown associates into yielding information about Brown's first wife, who he may have murdered. But Brown's hit men Fante (Cleef) & Mingo (Holliman) remove all of these witnesses as soon as Diamond uncovers them. Caught in the middle, Susan attempts suicide. Brown retaliates by setting his executioners on the scent of Diamond himself, which puts the detective's sometime girlfriend Rita (Stanton) in jeopardy. Finally gaining Susan's aid, Diamond forces a confrontation with his underworld nemesis.

Outrageously violent, time-twisting, and in love with language, Pulp Fiction was widely considered the most influential American movie of the 1990s. Director and co-screenwriter Quentin Tarantino synthesized such seemingly disparate traditions as the syncopated language of David Mamet; the serious violence of American gangster movies, crime movies, and films noirs mixed up with the wacky violence of cartoons, video games, and Japanese animation; and the fragmented story-telling structures of such experimental classics as Citizen Kane, Rashomon, and La jetée. The Oscar-winning script by Tarantino and Roger Avary intertwines three stories, featuring Samuel L. Jackson and John Travolta, in the role that single-handedly reignited his career, as hit men who have philosophical interchanges on such topics as the French names for American fast food products; Bruce Willis as a boxer out of a 1940s B-movie; and such other stalwarts as Harvey Keitel, Tim Roth, Christopher Walken, Eric Stoltz, Ving Rhames, and Uma Thurman, whose dance sequence with Travolta proved an instant classic.