Masquerade

Theatrical metal – that’s how the four Danes of EVIL MASQUERADE have chosen to name their particular brand of music, and they do manage to deliver solid evidence, that also in the country of red sausages, the will to experiment and take great different paths in music is as great as ever…

Be whoever you want to be! Share the fun and excitement of playing dress-up with Minnie, Daisy and the whole Clubhouse gang! You're invited to Minnie's Masquerade, a costume party where everyone wins a prize! Help Minnie and Mickey put the finishing touches on their royal crowns, search for ''Sir Goofsalot's'' missing shoe and much more. All it takes is a heaping helping of imagination and the right Mouseketools! So get up on your feet and join the costume parade at the ultimate ''mousekerade'' ball!

During their first two years the band concentrated on writing music, rehearsing, and performing live. In 1990 Masquerade recorded a promotional cassette and a single that was favorably reviewed in the English magazine Metal Hammer. After signing on with Empire Records, in early 1991 the band started recording their self-titled album. The record company brought the engineer Ronny Lahti (Saigon Kick, Europe, Talisman, Electric Boys, Clockwise) into the project for finalizing the mixing. The album was released in 1992 to positive reviews by critics, who found the album comparable to the music of bands like Whitesnake and Def Leppard.

The spearheads of Israeli avantgarde and progressive oriental metal are back with their most diverse album yet!
Subterranean Masquerade, which until not long ago was considered a cult studio project for fine taste followers (published by the end records, Vicisolum), has transformed over the last two years into an exciting, colorful live act, mixing the traditions of heavy metal together with the aesthetics of world music performance, spiritual punk and pure Rock’N’Roll. Praised by music journalists all over EU, Subterranean Masquerade have taken over the stages as supporter acts for Orphaned Land, Therion, Sons of Apollo, Dirty Shirts, Harakiri for the Sky and many more - showcasing a distinctly audacious execution of their complex songwriting while maintaining an almost magical grip on their audience, reviewed as rave parties for metalheads. Now, the band is heading towards new grounds…

An Italian chamber orchestra, Rondó Veneziano set itself apart from many groups of similar style by not only employing mostly women musicians and making it a rule to perform in period Baroque dress, but mainly because they were able to meld traditional chamber music pieces to modern backing tracks, rhythms, and percussion lines, almost giving their classical sound a club music foundation that sometimes bordered on prog rock…