To simplify my life considerably, I'm going to combine the "reviews" of all six Stage releases into a single entry, even though they were released individually. Also, to save a lot of time and effort, I'm not going to give complete track listings of the twelve discs, or do song-by-song reviews (hey, we're talking over 800 minutes of music here, give me a break). If you need to know the track listings, they're probably available through an on-line music sales site like CDNow, or an information site like the All Music Guide. There's probably a few other Zappa sites that list them as well. Maybe one day when I have the time, I'll come back and expand this section to really cover all twelve discs in detail. Until then, I'll just give some general facts and opinions, focusing on highlights and material unique to the Stage series.
A household name since the early '70s, John McLaughlin was an innovative fusion guitarist when he led the Mahavishnu Orchestra and continued living up to his reputation as a phenomenal and consistently inquisitive player through the years. He started on guitar when he was 11 and was initially inspired by blues and swing players. John McLaughlin worked with David Bowie, Alexis Korner, Graham Bond, Ginger Baker, and others in the 1960s and played free jazz with Gunter Hampel for six months. His first album was a classic (1969's Extrapolation) and was followed by an obscurity for the Dawns label with John Surman, a quintet set with Larry Young (Devotion), and My Goals Beyond in 1970 which was half acoustic solos and half jams involving Indian musicians.
Somehow, leading Norway's Tristania to the top of the goth metal heap wasn't enough for vocalist/guitarist Morten Veland, who unilaterally seceded from the union in the year 2000 to found a brand-spanking-new though similar-sounding band named Sirenia…