Matthieu Chedid Cardiac Dance

Edvard Grieg (1843-1907) was at the forefront of a flourishing of creativity that took place in Scandinavian culture in the late 19th and early 20th centuries, alongside his contemporaries, Nielsen and Sibelius. His imagination was particularly fired by the folk music and stories of his native Norway. His catchy tunes, lively rhythms and haunting musical evocations of the majestic Norwegian landscapes have made Grieg immensely popular with a wide audience.

The duo, Alexandre Souillart and Mathieu Acar, offer a repertoire of works created for saxophone and representative of the romantic aesthetic.

“Belgian pianist Matthieu Idmtal creates a wonderfully colorful and profound universe that not only surprised me, but even more completely captivated me. His great technical vocabulary leads to an interpretation that combines a refined sound with penetrating expressiveness in a sublime way.” – Opus Klassiek

The music of the French native, Valencia-based cellist Matthieu Saglio combines influences from all around the Mediterranean, from North Africa to Southern Europe. He first gained international recognition as a member of the trio "NES" and the album "Ahlam" in 2018. Soon after Saglios' solo debut "El Camino de los Vientos" earned huge success, especially in the digital world, and has been played over seven million times on Spotify alone.

French saxophonist Matthieu Bordenave’s first leader date for ECM introduces a new project with German pianist Florian Weber and Swiss bassist Patrice Moret. On La traversée - The Crossing - Bordenave explores musical ground between contemporary composition and jazz, subtly influenced by the innovations of the Jimmy Giuffre 3 with Paul Bley and Steve Swallow, who “opened new territory that remains relevant for improvisers today.” The recording of La traversée, he explains, was guided by an approach to trio playing, “in which melodic lines interweave and blossom in the nuances of tones, as each musician follows his intuition.” Bordenave leads the way with his highly distinctive saxophone sound, recently characterized by Down Beat as “light yet textured and authoritative”, establishing that this is music in which space will play an important role. La traversée was recorded at Studios La Buissonne in Pernes-les-Fontaines in the South of France last autumn, and produced by Manfred Eicher.

There’s an embarrassment of riches where Couperin’s Read more are concerned. My current favorite is Christie/Les Arts Florissants (Erato 017067), with Patricia Petibon and Sophie Daneman the latter exquisite in her tightly focused but sweet tone and immaculate ornamentation. Equally good in its way, with a slightly richer tone though a trifle too expressively restrained for my tastes, is Christopher Hogwood with Emma Kirkby and Judith Nelson (L’oiseau Lyre 430283).