Mc5

MC5 were nearing the end of their long and bumpy trail when they cut High Time in 1971, and it was widely ignored upon initial release. While it lacks the flame-thrower energy and "off the man!" politics of Kick Out the Jams or the frantic pace and "AM Radio of the People" sound of Back in the USA, High Time sounds like MC5's relative equivalent to the Velvet Underground's Loaded, their last and most accessible album, but still highly idiosyncratic and full of well-written, solidly played tunes. Fred Smith's "Sister Anne" and "Skunk (Sonically Speaking)" bookend the album with a pair of smart, solidly performed hard rockers (bolstered by fine horn charts), and Wayne Kramer's "Poison" ranks with the best songs he brought to the band (he later revived it for his solo album The Hard Stuff)…

While lacking the monumental impact of Kick Out the Jams, the MC5's second album is in many regards their best and most influential, its lean, edgy sound anticipating the emergence of both the punk and power pop movements to follow later in the decade. Bookended by a pair of telling covers - Little Richard's "Tutti Frutti" and Chuck Berry's "Back in the U.S.A." - the disc is as much a look back at rock & roll's origins as it is a push forward into the music's future; given the Five's vaunted revolutionary leanings, for instance, it's both surprising and refreshing to discover the record's emotional centerpiece is a doo wop-inspired ballad, "Let Me Try," that's the most lovely and gentle song in their catalog…

Rather than try to capture their legendary on-stage energy in a studio, MC5 opted to record their first album during a live concert at their home base, Detroit's Grande Ballroom, and while some folks who were there have quibbled that Kick Out the Jams isn't the most accurate representation of the band's sound, it's certainly the best of the band's three original albums, and easily beats the many semiauthorized live recordings of MC5 that have emerged in recent years, if only for the clarity of Bruce Botnick's recording. From Brother J.C. Crawford's rabble-rousing introduction to the final wash on feedback on "Starship," Kick Out the Jams is one of the most powerfully energetic live albums ever made…

Sonic's Rendezvous Band - Sweet Nothing (CD 1998)
WV-IMG+CUE+LOG or MP3 CBR 320 | Complete Scanwork | 406 or 128 MB
Scorching live recording from the Second Chance, Ann Arbor, on April 4, 1978, +

Sonic's Rendezvous Band - City Slang (CD 1999)
WV-IMG+CUE+LOG or MP3 CBR 320 | Complete Scanwork | 525 or 170 MB
Live recording from various venues in 1978-79 that captures the band in full flight

In the Midwest during the 1970s, you would be hard-pressed to find a rock group with a more impressive pedigree than Sonic's Rendezvous Band, which brought together members of four key bands from the fabled Detroit/Ann Arbor rock scene of the late '60s – Fred "Sonic" Smith of the MC5, Scott Morgan of the Rationals, Gary Rasmussen of the Up, and Scott Asheton of the Stooges. Among fans of high-energy Michigan rock, Sonic's Rendezvous Band would – with the passage of time – become nearly as legendary as their forebears, but it would be years before listeners outside of the Midwest had much of a chance to hear their music; fate seemed to conspire against them while they were together, and one of the most talented and powerful acts of its day ended up releasing only a one-song single during its six-year lifespan.