MC5 were nearing the end of their long and bumpy trail when they cut High Time in 1971, and it was widely ignored upon initial release. While it lacks the flame-thrower energy and "off the man!" politics of Kick Out the Jams or the frantic pace and "AM Radio of the People" sound of Back in the USA, High Time sounds like MC5's relative equivalent to the Velvet Underground's Loaded, their last and most accessible album, but still highly idiosyncratic and full of well-written, solidly played tunes. Fred Smith's "Sister Anne" and "Skunk (Sonically Speaking)" bookend the album with a pair of smart, solidly performed hard rockers (bolstered by fine horn charts), and Wayne Kramer's "Poison" ranks with the best songs he brought to the band (he later revived it for his solo album The Hard Stuff)…
While lacking the monumental impact of Kick Out the Jams, the MC5's second album is in many regards their best and most influential, its lean, edgy sound anticipating the emergence of both the punk and power pop movements to follow later in the decade. Bookended by a pair of telling covers - Little Richard's "Tutti Frutti" and Chuck Berry's "Back in the U.S.A." - the disc is as much a look back at rock & roll's origins as it is a push forward into the music's future; given the Five's vaunted revolutionary leanings, for instance, it's both surprising and refreshing to discover the record's emotional centerpiece is a doo wop-inspired ballad, "Let Me Try," that's the most lovely and gentle song in their catalog…
Rather than try to capture their legendary on-stage energy in a studio, MC5 opted to record their first album during a live concert at their home base, Detroit's Grande Ballroom, and while some folks who were there have quibbled that Kick Out the Jams isn't the most accurate representation of the band's sound, it's certainly the best of the band's three original albums, and easily beats the many semiauthorized live recordings of MC5 that have emerged in recent years, if only for the clarity of Bruce Botnick's recording. From Brother J.C. Crawford's rabble-rousing introduction to the final wash on feedback on "Starship," Kick Out the Jams is one of the most powerfully energetic live albums ever made…
The documentary ‘Gimme Danger’ on Detroit’s legendary rockers The Stooges, directed by noted filmmaker Jim Jarmusch, premiered to rave reviews at the Cannes Film Festival in May of this year. The CD soundtrack is 14 tracks - 2 from Iggy’s pre-Stooges combos The Iguanas, & the Prime Movers, a selection of songs from The Stooges 2 WMG albums, including some outtake tracks, plus 3 tracks from the Iggy & The Stooges ‘Raw Power’ release thru Sony (again, including outtakes), plus a classic from their big brothers in the MC5.
Black Pearl was a West Coast rock group of the late '60s and early '70s led by Bernie "B.B." Fieldings. They had two charting albums, Black Pearl (1969) and Black Pearl – Live! (1970). Back in the late '60s, there were several bands that amped up the smooth and sexy R&B sound of the day – giving it a shot of adrenaline and a bit more, well, cajones. The prime example of this approach was the mighty MC5, but there were other acts that followed the same template – albeit all but forgotten over the years – such as Black Pearl. Although they hailed from San Francisco and were pals of the Grateful Dead, they did not reflect the expected hippie-dippie-isms from bands of that area/era.
Celebrating their 25th Anniversary, and a formal introduction to their affiliate label, Alive!/Total Energy, Bomp! Records has released a two-disc set of past and present gems from their vaults and catalog. From the label that helped the punk movement in the 70's comes contributions from Zeros, Dead Boys, Iggy & The Stooges, Weirdos, Flesheaters, and the Lazy Cowgirls. And that's just disc one. Disc two offers up tracks from Davie Allan & The Arrows, The Streetwalkin' Cheetahs w/ Deniz Tek, U.S. Bombs, and MC5.