Mccoy

McCoy Tyner Trio - Inception / Reaching Fourth (1962-63) {Impulse! 2-on-1 Series Remaster rel 2011}
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© 2011 Impulse! / Verve / Universal Music | 06007 5334721
Jazz / Post Bop / Modal Music / Hard Bop / Piano Trio

This release contains McCoy Tyner’s first two albums as a leader, Inception (Impulse AS-18) and Reaching Fourth (Impulse AS-33) in their entirety. Both LPs present the pianist in a trio format backed by such expert musicians as bassists Art Davis and Henry Grimes, and drummers Elvin Jones and Roy Haynes. McCoy's lush, rippling piano helped make masterpieces out of several 1960-65 John Coltrane albums. During that time, he established himself as a leader with his magnificent Impulse! LPs Inception ('62) and Reaching Fourth ('63); his trio dazzles on the two Tyner-penned title tracks plus Theme for Ernie; Old Devil Moon; Blues for Gwen; Sunset; Effendi , and more!

This set matches the McCoy Tyner Trio (which includes bassist Cecil McBee and drummer Al Foster) with four different guests. Altoist Arthur Blythe and vibraphonist Bobby Hutcherson fare best but both trumpeter Freddie Hubbard and guitarist John Abercrombie also have their strong moments. In addition to four Tyner compositions, there is one song apiece from McBee, Abercrombie and Hutcherson in addition to four jazz standards. This collection is a fine all-around showcase for the brilliant pianist even if no new ground is broken. ~ AllMusic

McCoy Tyner - Guitars (2008)
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© 2008 Half Note / MTM | 4537
Jazz / Post-Bop / Modern Creative

This recording is a studio throw-down with 5 of popular music's most accomplished string specialists: Derek Trucks, Bela Fleck, Bill Frisell, John Scofield, and Marc Ribot. The song stack covers the old and new. McCoy finds common ground alongside na group of handpicked guitar and banjo players. It's a meeting of the generations.
One of the most important and enduring jazz pianists emerging from the 1960s, McCoy Tyner needs little introduction. John Coltrane's former sideman's style has always mixed melody, beauty, invention, and volatility. GUITARS is proof he's lost none of his edge. Here, Tyner mixes it up with a seemingly disparate range of guitarists (and one banjoist!), which might shock some old-school fans. Each guitarist joins Tyner's trio for two or three tracks. Marc Ribot's jazz-informed thorniness, John Scofield's plump-toned йlan, Bela Fleck's down-home sophistication and clarity, Derek Trucks's tightly wound blue-tones, and Bill Frisell's mystic, Jim Hall-inspired poetry–all meet Tyner on his own turf. Each string-bender is pushed to be his best in this setting.

Van Allen Clinton McCoy (January 6, 1940 – July 6, 1979) was an American musician, record producer, arranger, songwriter, singer and orchestra conductor. He is known best for his 1975 internationally successful song "The Hustle". He has approximately 700 song copyrights to his credit, and is also noted for producing songs for such recording artists as Gladys Knight & the Pips, The Stylistics, Aretha Franklin, Brenda & the Tabulations, David Ruffin, Peaches & Herb, Lesley Gore and Stacy Lattisaw.

Released in 1975, Disco Baby is among the albums that helped to usher in the disco era. This LP boasts McCoy's number one hit "The Hustle," which became one of disco's anthems and is the song that he is best remembered for. For McCoy, an album like Disco Baby was a major departure from the type of things he had done in the '60s and early '70s:.

Antti Hulkko, better known as Andy McCoy, is a Finnish musician. He is most famous for his role as the lead guitarist and main songwriter of Hanoi Rocks, but has also played with Iggy Pop. McCoy's works cover a wide range of music genres, including rock 'n' roll, punk rock, flamenco, glam punk, glam rock, blues rock and hard rock. In 1995 McCoy's second solo-album Building On Tradition was released and, aside from Hanoi Rocks, it became McCoy's biggest success.

McCoy Tyner - Beautiful Love, Live in Warsaw (1991) {AAOHP 93402}
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© 1991, 1994 All At Once Happy Price / Digimode | AAOHP 93402
Jazz / Post Bop / Modal Music / Piano

McCoy Tyner is in top form in this solo concert recorded at the 1991 Warsaw Jazz Festival, playing with added energy throughout the set. Although he does play two John Coltrane compositions (a runaway "Giant Steps" and lush "Naima") and a pair of Thelonious Monk's songs (a romp through "Rhythm-A-Ning" and a jaunty "Monk's Dream"), plus moving interpretations of two standards ("Beautiful Love" and "Darn That Dream"), the focus is primarily on his own works.

The Real McCoy is the seventh album by jazz pianist McCoy Tyner and his first released on the Blue Note label. It was recorded on April 21, 1967 following Tyner's departure from the John Coltrane Quartet and features performances by Tyner with Joe Henderson, Ron Carter and Elvin Jones. Producer Alfred Lion recalls the recording session as a "pure jazz session. There is absolutely no concession to commercialism, and there's a deep, passionate love for the music embedded in each of the selections".

McCoy Tyner - Things Ain't What They Used To Be (1990) {Blue Note CDP 7935982 rec 1989}
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© 1990 Blue Note / Capitol-EMI | CDP 7 93598 2
Jazz / Post Bop / Modal Jazz / Piano

For this Blue Note project, pianist McCoy Tyner is heard solo on eight numbers and also has two duets with tenor-saxophonist George Adams and three with guitarist John Scofield; Tyner dominates throughout. A standards-oriented set (there are only four songs by the leader including "Blues On The Corner" and the near-standard "Song For My Lady") but the pianist makes every melody sound like a fresh original through his distinctive chord voicings and harmonies. This is a strong effort by one of the best.