One of the hardest-working progressive bands to end up languishing in relative obscurity, Fruupp was begun in 1971 by guitarist Vince McCusker. After a brief musical apprenticeship in London, McCusker returned to Belfast and quickly pulled together a group of largely classically trained musicians; the lineup was unusual in that keyboardist Stephen Houston doubled on the oboe…
Eliza Carthy officially inherits the British folk crown from her parents with the willfully traditional Rough Music. Described in the liner notes as "a form of community punishment practiced all over England" (basically a public beating for a heinous social crime), Rough Music sounds like a lost pre-percussion Steeleye Span record filtered through A.L. Lloyd's whaling collection Leviathan! Carthy's strong fiddling and powerful vocals – she really is beginning to surpass Norma – are ably enhanced by the chiseled performance of her backing band, the Ratcatchers. Together they celebrate longstanding English traditions like public execution ("Turpin Hero"), syphilis ("The Unfortunate Lass"), and alcohol ("Tom Brown") with equal parts reverence, earnestness, and mischief. Primarily arranged for violin, viola, double bass, and melodeon, Rough Music also features lovely a cappella cuts like "Maid on the Shore" and enough fiery instrumentals to keep your feet on the cobblestones during the long walk home from the pub. In fact, there's not a moment on Rough Music that isn't essential listening. Highly recommended.
Now in their 18th year, the Awards are a key highlight of the folk music calendar and serve to raise the profile of folk music. Talent, new and old, received accolades including Folk Singer of the Year, Best Duo, Best Album, Musician of the Year, Young Folk Award and more. Lifetime Achievement Awards were presented to Ry Cooder and Al Stewart.
Eddi Reader has proven her worth as a sublime singer of pop and folk material (and beyond), but this returns her full-bore to her Scottish roots. Born from the concerts she did at the 2002 Celtic Connections festival, it's a decidedly lush performance that hauls in several well-known Celtic names like Phil Cunningham, John McCusker, and Ian Carr to help her along. But it's Reader's rendition of Robert Burns' classics that's the key here. She picked familiar material, songs that have become part of the folk continuum that can be both a blessing and a curse. But she reinvents something like "My Love Is Like a Red Red Rose," investing it with rich emotion. She positively flies on the more romantic songs, such as "Ae Fond Kiss," but she brings a surprising depth to "Charlie Is My Darling" and the chestnut "Auld Lang Syne," and "Ye Jacobites" sizzles with tension. The arrangements go for the cinematic rather than the intimate, putting them on the dangerous edge of new age. But such is the quality of everyone involved that there's no danger of teetering over and it becomes a tour de force. It is one of the highlights of Reader's splendid career, and even "Wild Mountainside," decidedly not a Burns song, fits in perfectly.
You won’t be seeing Mark Knopfler in melodramatic newspaper headlines or on talent show panels. The much-travelled craftsman prefers to reside wherever the song takes him, from writing room to rehearsal space, recording studio to concert hall. He is, as tirelessly and inquisitively as ever, on the trail of some musical truth, just as he has been since the 45s of Ricky Nelson and Lonnie Donegan, or the playing of Hank Marvin and Duane Eddy, sent him down a path that led to 125 million record sales.
Christmas in September, the brand new single from Irish folk singer Heidi Talbot is a beautiful modern day Christmas song. Written by Boo Hewerdine and produced by John McCusker, the song was recorded in Talbot's own studio in the Scottish Borders countryside and finished in various hotel rooms across America. Christmas in September features Richard Bennet (Mark Knopfler, Neil Diamond), Glenn Worf (Willie Nelson, Tammy Wynette), Nigel Hitchcock (Tom Jones, Robbie Williams), John McCusker, Phil Cunningham, James Mackintosh and Adam Holmes…
'Here We Go 1, 2, 3' is Heidi Talbot's fifth solo album. Produced by musical partner and husband, John McCusker, (himself recently the recent recipient of the Good Tradition honour at the BBC Radio 2 Folk Awards) Heidi's new album crosses the ages, jumps into the unknown, traverses oceans and musical styles – from folk, through Americana, to classic pop, and back again…