Mcgoohan

Six CD box set containing the complete recordings released between 1981 and 1986 by Edward Ball's indie mod band The Times including their albums Go! With The Times (recorded 1980 but released in 1985), Pop Goes Art! (1982), This Is London (1983), Hello Europe (1984), Up Against It (1986) and Enjoy (1986). Also includes The Times' rare 1981 debut single 'Red With Purple Flashes' / 'Biff! Bang! Pow!' which was named as one of the top five mod revival singles in MOJO magazine. Bonus tracks include The Times' legendary take on the 'Theme From Dangerman', a cover of David Bowie's 'London Boys', tracks from the 12" EPs 'I Helped Patrick McGoohan Escape' (1983), 'Blue Period' (1985), 'Boys About Town' (1986) and 'Times TV' (1986) and an alternative version of perhaps their most famous song 'I Helped Patrick McGoohan Escape' (inspired by cult TV series The Prisoner) taken from the A Splash Of Colour compilation that celebrated the early 1980s psychedelic revival.

In this desert adventure, a bandit chieftain roams the northwest deserts of India. Wherever he goes, he leaves a trail of ruin and raped women. A British major is assigned to capture the bandit and his gang. He succeeds, but soon the bandit, with the assistance of a sadistic nomad, escapes. The raiders then head for a British garrison where more bloodshed ensues as they begin slaughtering the hapless soldiers. The nomad captures the colonel and begins torturing him. The bandit, who has grown to respect his British adversary, sacrifices his own life to stop him.

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The story of the making of cult television favourite 'The Prisoner' is told by the people who were there. Patrick McGoohan's perplexing masterpiece caused a sensation when it burst onto British television screens in 1967 and, despite running for only 17 episodes, has left audiences debating its meaning for almost sixty years.

The film, based on Othello, is neatly positioned as a vehicle to showcase some of the best Jazz musicians of the period - including Dave Brubeck and Charlie Mingus.

With Scanners, David Cronenberg plunges us into one of his most terrifying and thrilling sci-fi worlds. After a man with extraordinary—and frighteningly destructive—telepathic abilities is nabbed by agents from a mysterious rogue corporation, he discovers he is far from the only possessor of such strange powers, and that some of the other “scanners” have their minds set on world domination, while others are trying to stop them. A trademark Cronenberg combination of the visceral and the cerebral, this phenomenally gruesome and provocative film about the expanses and limits of the human mind was the Canadian director’s breakout hit in the United States.

After mastering the mix of comedy, suspense, and horror that helped define the golden age of British cinema, Basil Dearden (along with his producing partner Michael Relph) left the legendary Ealing Studios and struck out on his own. In the late fifties and early sixties, he created a series of gripping, groundbreaking, even controversial films that dealt with racism, homophobia, and the lingering effects of World War II, noir-tinged dramas that burrowed into corners of London rarely seen on-screen. This set of elegantly crafted films brings this quintessential figure of British cinema out of the shadows.