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Genesis were an English Rock band formed at Charterhouse School, Godalming, Surrey in 1967. The most commercially successful and longest-lasting line-up consisted of keyboardist Tony Banks, bassist/guitarist Mike Rutherford and drummer/singer Phil Collins. Significant former members were guitarist Steve Hackett and original lead singer Peter Gabriel. The band underwent many changes in musical style over its career, from folk music to progressive rock in the 1970s, before moving towards pop at the end of the decade. They have sold 21.5 million RIAA-certified albums in the United States and their worldwide sales are estimated to be between 100 million and 150 million. All of the group's studio work since signing to Charisma has been remastered and re-released in 2007 as SACD, except their debut album (due the copyright issue).

The Moody Blues are an English rock band formed in Birmingham in 1964, initially consisting of keyboardist Mike Pinder, multi-instrumentalist Ray Thomas, guitarist Denny Laine, drummer Graeme Edge, and bassist Clint Warwick. The group came to prominence playing rhythm and blues music. They made some changes in musicians but settled on a line-up of Pinder, Thomas, Edge, guitarist Justin Hayward, and bassist John Lodge, who stayed together for most of the band's "classic era" into the early 1970s.

Adelmo Fornaciari, more commonly known by his stage name Zucchero Fornaciari or simply Zucchero, is an Italian rock singer and Order of Merit of the Italian Republic. His music is largely inspired by gospel, soul and rock music, and alternates between ballads and more rhythmic boogie-like pieces. Zucchero's voice is gritty and textured, but he sings with a great sensitivity and lyricism, and these same qualities are mirrored in his songwriting. By blending blues, pop, and adult contemporary, Zucchero's music can be quite affecting. He is credited as the "father of Italian blues", introducing blues to the big stage in Italy. Zucchero is one of the few European blues artists who still enjoy great international success.

Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electro-pop band of the 1980s. One of the first acts to establish a musical identity based completely around the use of synthesizers, they began their existence as a bouncy dance-pop outfit but gradually developed a darker, more dramatic sound that ultimately positioned them as one of the most successful alternative bands of their era.

For a brief period at the end of the 1960s and the start of the '70s, Blood, Sweat & Tears, which fused a rock 'n' roll rhythm section to a horn section, held out the promise of a jazz-rock fusion that could storm the pop charts. The band was organized in New York in 1967 out of the remnants of the Blues Project by keyboard player/singer Al Kooper and guitarist Steve Katz of that group, and saxophonist Fred Lipsius. The rhythm section consisted of bassist Jim Fielder and drummer Bobby Colomby, and the horn section was filled out by trumpeters Randy Brecker and Jerry Weiss and trombonist Dick Halligan.

The night of May 12, 2002, may go down as another important milestone on the timeline of legendary jazz trumpeter Miles Davis. Four musicians, each representing a different Miles Davis band from his ever-evolving career, came together at the club Makor in New York City to do what everybody said couldn't be done - effectively fuse together elements of the radically different styles that Miles embodied over his 45 years of professional performance.

There are probably no more drastic examples of stylistic differences within one composer's symphonic output than those inherent in Charles Ives's 1st and 4th. The 1st is a piece of pure late Romanticism; it reminds the listener of both Dvorak and Tchaikovsky, but with some odd harmonic surprises. The 4th Symphony is very difficult (it symbolizes the Pilgrim's quest for the spirit). It requires a second conductor to lead a bevy of strings and harp, presumably placed offstage or in a balcony. A bonus on the disc is the composer's "Central Park in the Dark", which is evocative of the strange whooshing of trees and the eeriness of a vast piece of nature in the midst of a metropolis. Ives is for the curious, and these great performances convince and fascinate.

Moment of Glory is a compilation album by German hard rock band Scorpions. It was recorded in collaboration with the Berlin Philharmonic Orchestra and released in 2000. The album features re-arranged songs from the Scorpions repertoire, as well as classical interludes, a cover song and the new single "Moment of Glory".