Mcray

Willis takes things a little more seriously than usual, concentrating largely on covers of material by Percy Mayfield, Howlin' Wolf, Clarence Carter, and Guitar Slim. His own contributions include "I Ain't Jivin' Baby" and "Bow-Legged Woman" (he couldn't resist the raunchy stuff entirely!).
–by Bill Dahl

Alicia Bridges is the eponymous debut album from disco singer-songwriter Alicia Bridges, released in 1978 on Polydor Records. The album featured the smash hit single, "I Love the Nightlife (Disco Round)", which, when released as a 12" single (as remixed by producer Jim Burgess), reached a peak of number 5 on the Billboard, Cash Box & Record World charts in 1978 (quickly becoming an RIAA-certified gold record for sales of over one million copies; it would now be seen as a platinum record). Alicia Bridges peaked a number 52 on the Australian chart.

When Milcho Leviev left Bulgaria, it was 1970. A new generation has grown up since. Can you possibly imagine how much music has flowed under his fingers since then, how many concerts, records, arrangements and compositions he has done. And all these have been beyond reach in his native country, his music was arrested and silent. It was yet another enormity of a society the memory of which will still be haunting our dreams for years to come. Yet, in spite of everything, of the distance and the impossibility of normal communication, Milcho Leviev's influence on the development of Bulgarian jazz did not decrease. His ideas in the 60's were the basis for almost all young musicians to set forth on their way.

Building on the bandmembers' own personal accomplishments that came from the Rockin' Into the Night album, .38 Special released an even stronger bunch of songs a year later with Wild-Eyed Southern Boys. Focusing on the same Southern-based rock & roll formula, the efforts from Southern Boys contain a little more guitar zing while complementing the band's ability to produce marketable radio music. "Hold on Loosely," with its smooth vocal stride, managed to peak at number 27 in April of 1981, giving .38 Special its first Top 40 single, and the title track, "Honky Tonk Dancer," and "Back Alley Sally" keep a homespun flavor alive and well, indicating that the band's Southern roots haven't been dismissed completely.