Mendelssohn Bucher

Granting a long-held wish of many record collectors, Sony Classical is issuing the complete monaural American Columbia discography of Eugene Ormandy and the Philadelphia Orchestra in a vast box set of 120 CDs, all in new remasterings. Almost all of this material will be appearing for the first time on CD on Sony Classical. Indeed, 152 of these recordings have never been released at all on CD before now.

Following on from and designed along the same lines as the Guide to Period Instruments, this boxed set includes an exhaustive introductory text as well as a great quantity of music excerpts on the set’s eight CDs. These extracts have been taken from the extensive repertoire recorded by Ricercar over many years, with excerpts from recordings kindly provided by our colleagues from Harmonia Mundi, Gimell, Accent, Alpha and Sony supplementing our programme where necessary. The Lutheran repertoire of the Renaissance has remained for all intents and purposes unrecorded up until now; the tracks illustrating this repertoire together with other excerpts have been recorded specially for this compilation by Vox Luminis.

Seiji Ozawa was the first Asian conductor to rise to international stardom. After his Koussivitzky Prize at Tanglewood, he honed his skills as assistant to Leonard Bernstein in New York and Herbert von Karajan in Berlin. Directorships of the Nissei Theatre in Tokyo, the Toronto Symphony Orchestra, the Tanglewood Festival, the Boston Symphony Orchestra and the Vienna State Opera followed. In 2016 he withdrew from the international scene to Japan, dedicating his time to the Mito Chamber Orchestra and to teaching.

Camille Saint-Saëns and the Prix de Rome… surely a strange bringing together of ideas, given that the composer never gained that coveted award and consequently never took up residence in the famous Villa Medici? All the same, Saint-Saëns entered the competition on two separate occasions and, peculiarly in the history of the competition, twelve years apart: firstly in 1852 and then in 1864. On the first occasion he was still an adolescent, devoted to worshipping the memory of the great Mendelssohn; behind him, by the time of the second occasion, were already a number of his masterpieces later to be confirmed by posterity – and he had become acquainted with Verdi and had also discovered Wagner.