Metal Box Lydon

PiL managed to avoid boundaries for the first four years of their existence, and Metal Box is undoubtedly the apex. It's a hallmark of uncompromising, challenging post-punk, hardly sounding like anything of the past, present, or future. Sure, there were touchstones that got their imaginations running – the bizarreness of Captain Beefheart, the open and rhythmic spaces of Can, and the dense pulses of Lee Perry's productions fueled their creative fires – but what they achieved with their second record is a completely unique hour of avant-garde noise…

Former Public Image Ltd. bassist and innovative musical visionary, Jah Wobble, revisits an old stomping ground for this brilliant album of brand new studio recordings! Wobble returns to the hugely influential 1979 album from PiL, Metal Box, completely reinventing 8 of the album's songs with sophisticated dub interpretations and mind-expanding production! Also includes two bonus tracks - all new renditions of two tracks from the classic debut PiL album!

Jerry Lee Lewis - A Whole Lotta Jerry Lee Lewis (2012) {4CD Box Set Salvo Records SALVOBX410}
EAC rip (secure mode) | FLAC+CUE+LOG -> 1.91 Gb | MP3 @320 -> 699 Mb
Full Artwork @ 300 dpi (jpg) -> 62 Mb | 5% repair rar
© 2012 Salvo Records | SALVOBX410
Rock & Roll / Rockabilly / Honky Tonk / Country

Four-disc monument to the Killer, containing no filler… What with one thing and another, it took the Grand Ole Opry a while to invite Jerry Lee Lewis to make his debut. Sixteen years, in fact, from his first hits (“Whole Lotta Shakin’ Going On”, “Great Balls Of Fire” ) to finally ushering the Killer onto the stage of Nashville’s Ryman auditorium in January 1973. The high temple of the country music establishment had their reasons for hesitating. Lewis was not known for family-friendly behaviour, unless one counts as such already having three families by this point – one, to the detriment of his box office, with a cousin he’d wed when she was thirteen. But he’d grown up, surely. He was pushing 40. He’d married for a fourth time, to someone old enough to vote. And he was reinventing himself as a proper country singer – he’d had hits with versions of Kris Kristofferson’s “Me & Bobby McGee”, Jimmie Rodgers’ “Waiting For A Train” and Ray Griff’s “Who’s Gonna Play This Old Piano?”. The Opry prepared to formally welcome the black sheep to the fold.