Metamorphosis

Fresh air in an old Glass classic: the young and very clever pianist Alessandra Celletti surf with joy, melancholy, intensity, intimately, superb touch control and creative freedom on the mathematical Glass's waves. A very enjoyable, delightful, emotional, soul-stirring sound experience.

When Cicadas appear in the area they cause a huge uproar. It’s hard to escape the distinctive noise these critters make, reaching up to 120 decibels. The hypnotic, trance-inducing sound disappears with the insects. A few months after Cykada's explosive debut, the world was hit by turbulence and from Cykada there was silence - fortunately only seemingly, because the next cycle began underground, in the privacy of the studio. It was there that the cicadas matured, waiting for a metamorphosis.

On Ball, Iron Butterfly began to expand its sound, attempting to write more concisely. On Metamorphosis, the group continued its musical explorations, adding a layered production to its sound…

Pianist Branka Parlić is one of the most prominent interpreters of contemporary classical music in the world. She graduated from the Belgrade University of Musical Arts in the late 1970s and studies under Professor Olga Mihailović. She later honed her craft at the Summer Music Academy in Nice under Professor Pierre Sancan of the Paris Conservatory. While studying, she also co founded the well-known Ensemble for Different New Music.

You can see what Philip Glass liked about the harp in his music. On one hand, it’s a close substitute for a piano, which is involved in the originals of all three of these transcriptions. The excerpts from The Hours (tracks 7-12) were transcribed from a piano version of the original Nicole Kidman film soundtrack score, and unsurprisingly Meijer said that of the three works, that one gave her the most trouble.