The first two albums by UFO featured an odd mix of crisp, focussed songs alternating with meandering electric guitar-led soundscapes. Flying starts off with perhaps their best of the former category, "Silver Bird." This story of a primitive islander seeing an airplane for the first time begins with a pleasant little acoustic guitar melody and builds into a soaring full-band musical expression of the wonder of flight. The next cut, all 19 minutes of it, conjures up the vaster expanses of space. To complain that "Star Storm" rambles is to miss the point; sometimes Michael Bolton's guitar is used as a pure sound effect rather than to convey any kind of rhythm or melody, and if you're patient, then listening can be an enjoyable, even absorbing, experience…
Rescue You is the first solo album of Joe Lynn Turner, formerly of Rainbow and Fandango. This album is a collection of AOR and radio friendly pop tracks from the rock heyday of the mid-80's…
Nothing's Changed is the second solo studio album by Joe Lynn Turner. Joe Lynn Turner is an American singer, guitarist, songwriter, and producer. He is known for his work in the hard rock bands Rainbow and Deep Purple. During his career, Turner fronted and played guitar with pop rock band Fandango in the late 1970s; and in the early 1980s, he became a member of Rainbow, fronting the band and writing songs with guitarist, Ritchie Blackmore and bassist, and producer, Roger Glover. After Rainbow had disbanded (the first time) in March 1984, he pursued a solo career, released one album, Rescue You, and then later did session work, singing background vocals for the likes of Billy Joel, Cher, and Michael Bolton. On the advice of Bolton, Turner began recording jingles for radio and television.
The first two albums by UFO featured an odd mix of crisp, focussed songs alternating with meandering electric guitar-led soundscapes. Flying starts off with perhaps their best of the former category, "Silver Bird." This story of a primitive islander seeing an airplane for the first time begins with a pleasant little acoustic guitar melody and builds into a soaring full-band musical expression of the wonder of flight. The next cut, all 19 minutes of it, conjures up the vaster expanses of space. To complain that "Star Storm" rambles is to miss the point; sometimes Michael Bolton's guitar is used as a pure sound effect rather than to convey any kind of rhythm or melody, and if you're patient, then listening can be an enjoyable, even absorbing, experience…