Michael Green

Best known, if at all, as avant-garde director Robert Wilson's most frequent musical collaborator (no, not Philip Glass, Tom Waits, or David Byrne), Louisiana-born violinist/composer Michael Galasso has not been much of a presence on recordings. Indeed High Lines follows his previous album, Scenes, by a good 23 years and from the evidence here, you can infer without any derogatory inplications why he has stayed away from the spotlight all that time.