Michael Laurens

This luxurious set containing 39 CDs, 3 DVDs, 1 CD-Rom and four detailed booklets will tell you the full story of Baroque opera in Italy, France, England, and Germany. No fewer than 17 complete operas (including two on DVD) and two supplementary CDs (the dawn of opera, Overtures for the Hamburg Opera) provide the most comprehensive overview of the genre ever attempted! The finest performers are assembled here under the direction of René Jacobs and William Christie to offer you 47 hours of music. An opportunity to discover or to hear again the masterpieces of Baroque opera, some of which have been unavailable on CD for many years.

Oldie Night Series is a great one to have in a collection, full of great artists and great songs. I would recommend this CDs to others. If you enjoyed the 60"s-80"s music, you will surely like this CDs!

Claudio Giovanni Antonio Monteverdi (15 May 1567 (baptized) – 29 November 1643) was an Italian composer, gambist, singer and Roman Catholic priest.
Monteverdi's work, often regarded as revolutionary, marked the transition from the Renaissance style of music to that of the Baroque period. He developed two individual styles of composition – the heritage of Renaissance polyphony and the new basso continuo technique of the Baroque. Monteverdi wrote one of the earliest operas, L'Orfeo, an innovative work that is still regularly performed. He was recognized as an innovative composer and enjoyed considerable fame in his lifetime…

Fondée en 1988 par un petit groupe d'amis réunis autour du violoniste Philippe Couvert, L'académie Sainte-Cécile est un ensemble instrumental à géométrie variable articulé autour d'un trio (flûtes, vièles, clavicythérium) pour les musiques médiévales, d'une paire de violons et basse (clavecin, violoncelle) pour le répertoire baroque, d'un quatuor à cordes ou trio avec forte-piano pour le classique et romantique. Cet ensemble s'élargit occasionnellement à un effectif semi orchestral, toujours jouant sans chef à l'exemple de ses modèles historiques des XVIIè et XVIIIè siècles.

This four disc set from Erato opens with Gluck’s three act lyric tragedy Iphigénie en Aulide, his first original ‘French’ opera for the fashionable Paris Opéra. In 1773 Gluck had been persuaded that he could establish himself at the Paris Opéra (also known as L’Opéra) by François du Roullet, an attaché at the French Embassy in Vienna. Baille du Roullet provided Gluck with the libretto for Iphigénie en Aulide, based on the tragedy of Racine and founded on the play of Euripides. Initially the Director of L’Opéra hesitated in accepting Gluck’s score. Fortunately he had a influential ally in Marie-Antoinette, the Queen of France, to whom he had taught singing and harpsichord. The first staging of Iphigénie en Aulide was at the Paris Opéra in 1774.