Michael White

Released to celebrate his 50th birthday, King of Pop is Michael Jackson's third major compilation in just five years, following 2003's million-selling Number Ones and 2005's The Essential Collection. With a track listing chosen by fans via the GMTV and The Sun websites, it could, and should, have been the ideal opportunity to showcase his lesser-known singles and standout album tracks…

Originally recorded for Criminal Records in 1980, Looking for Eleven finds Rod Clements and Ray Laidlaw of Lindisfarne handling bass and drum duties, rather than Rick Kemp and Dave Mattacks. The resulting set has a somewhat stripped-down sound to it, though the assorted Chapman trademarks are present and accounted for, right down to the offbeat guitar sounds (Chapman, like John Martyn, has always refused to stick with a typical acoustic guitar sound). This album features more than the usual amount of instrumental work, which makes for a particularly engaging listening experience.

Chapman has long had a fascination, not just with American music, but the American South and West. So an album explicitly inspired by the country should come as no surprise. The joy is how much it highlights his fabulous guitar picking. “Sweet Little Friend from Georgia” and “Coming of the Roads” might seem relatively straightforward, but the more epic “Swamp” and “Gaddo’s Lake” delve into decidedly complex territory; in fact, the impressionistic “Swamp” is probably the record’s centerpiece. As an instrumental portrait of the southern states it’s loving, very finely honed, and played in a way that reminds you that Chapman is one of the best, and most undervalued, guitarists around. Even if “Jumping Geordie” has its origins on the other side of the Atlantic, it still fits in. For longtime fans, “Indian Annie’s Kitchen” brings back some memories of “Kodak Ghosts,” and throughout small touchstones of blues, country, and jazz slip by.

Elation is the twelfth studio album by the American hard rock band Great White, released in May 2012. It is the first Great White studio album to feature vocalist Terry Ilous. Additionally, it is the first one without original vocalist Jack Russell. Elation was produced, recorded and mixed by Michael Lardie and Mark Kendall, the band's two guitarists. Since its release, the album has been met with mixed to positive responses. Jon Hotten reviewed the album positively for Classic Rock magazine, writing that "it shows some of the qualities that took (Great White) in their substantial heyday", when the band "made hard rockin' sound easy".

In the Spirit: A Christmas Album is everything a Michael McDonald fan could want from a holiday album by one of the greatest blue-eyed soul vocalists of all time. It's firmly within the tradition of latter-day Doobies records and early McDonald solo efforts, resulting in a really pleasing sound, equal parts classic soft rock and classy pop-soul, but there are some differences that give it its own character. First of all, there is a reason why the album is released on MCA Nashville, and there are some hints of contemporary country on songs like "On This Night" and in the arrangement of "Angels We Have Heard on High."

Christmas is vocalist Michael Bublé's first full-length holiday-themed album since his 2003 EP Let It Snow. As with that album, Christmas features Bublé backed by small ensembles as well as his big band and orchestra, and includes a handful of classic Christmas songs. In that sense, the album is a rather old-school affair, with Bublé in prime Bing Crosby-meets-Dean Martin vocal style tackling such chestnuts as "It's Beginning to Look a Lot Like Christmas," "Silent Night," and "I'll Be Home for Christmas." There are also some fine, contemporary, if still retro-sounding, pop moments here including Bublé's duet with the British female pop trio the Puppini Sisters on "Jingle Bells," and his inspired, slightly melancholy reworking of Mariah Carey's "All I Want for Christmas Is You." Ultimately, Christmas is a warm and inviting album that showcases Bublé's impeccable vocal chops.