A Roberto Negro album is never something predictable or easily labeled; we had taken note of it a couple of years ago, listening to his piano alone, Kings and Bastards, we come back to observe it in his new work in which once again he puts together a very original, changeable and surprising work. He does so by expanding the already tested Dadada trio—with which he had published (Saison 3—) to a quartet, adding Valentin Ceccaldi's electric bass to his historic collaborators Emile Parisien on soprano sax and Michele Rabbia on drums and electronics, working on eight compositions of his own hand.