Scarlatti’s sonatas are among the most original compositions of the Baroque period, bursting with rhythmic and harmonic invention, contrast and colour. Matteo Mela and Lorenzo Micheli take up this exceptional production and record, on two guitars, twelve of his 555 sonatas. Scarlatti was well acquainted with the instrument, which he heard in Spain and Italy, where it permeated his keyboard compositions. By going back to one of Scarlatti’s most obvious and greater musical sources of inspiration, the two performers underline the eloquence and inexhaustible invention of these rhapsodic miniatures, masterpieces of their composer’s art as a colourist.
As SoloDuo, Matteo Mela and Lorenzo Micheli have performed throughout Europe, Asia, the USA, Canada and Latin America, and have been acclaimed everywhere – from New York’s Carnegie Hall to Seoul’s Sejong Chamber Hall, from Kiev’s Hall of Columns to Vienna’s Konzerthaus – as one of the best ensembles ever heard. About one of their performances, “The Washington Post” wrote: “the duo’s playing was nothing less than rapturous – profound and unforgettable musicianship of the highest order.”
Introducing the young prodigy, Gabriele Micheli, recipient of the esteemed Second Prize in the renowned Ciccolini Piano Competition. At just 22 years old, Gabriele’s musical journey has been nothing short of remarkable. Gabriele secured his place at the acclaimed Conservatoria Santa Cecilia in Rome aged 9, and his passion for the piano continued to flourish. Graduating with flying colours in 2017, he further honed his skills, obtaining his Master’s degree from the same prestigious institution in 2020.
The first disc in this two-CD set contains Sardinian composer Cristiano Porqueddu’s first three sonatas for solo guitar, written between 2013 and 2019 and performed here by his compatriot Riccardo D’Alò. ‘Des couleurs sur la toile’, in three movements, pays homage to the painter Gesuino Curreli, the composer’s maternal uncle, who paints landscapes of contemporary Oliena, a town in northern Sardinia. ‘Sonata di Picerno’ – completed in 2015 and dedicated to Italian guitarist Christian Saggese – is a musical portrait of the distinctive town of Picerno in the beautiful Basilicata region of Italy. All three of its movements narrate an entirely fictional leyenda (legend). Sonata No.3, ‘Il rito del fuoco’, is based on an ancient Sardinian legend that tells of Saint Anthony and his pig stealing fire from hell to give to humanity. It is a cyclical composition, which remains anchored in the harmonic and thematic elements introduced in the first section throughout.