Mick Chillage

Variants of Perception was originally released on Carpe Sonum Records in Spring of 2022. Comprising of tracks recorded between 2019 & 2020 the album sees me returning to my trademark mixture of deep Ambient tones & atmospheres with a mix of various electronic music influences with moments of Intricate IDM beats, Dub & downtempo breakbeat etc but with a generous sprinkling of improvised leads and emotive melodic flourishes. Resulting in a rather personal exploration of what it is to be human and triggers memories, feelings & emotions through contemporary & sometimes experimental electronic sound.

Psychonavigation records presents the debut album from Mick Chillage. 'Tales From The Igloo' is the result of almost 13 years of Mick Chillage experimenting with electronic sounds and structures while constantly redefining and perfecting his vision which draws from many influences, it also showcases an artist who is almost impossible to pigeon hole into any one specific genre. The album is a collection of pieces created between 2005 and 2008 which were carefully chosen to display Mick Chillage's deeper, atmospheric and more emotional side. Mick blends Ambient, Electro, Techno, Dub and experimentalism to create a unique mixture of various moods, sometimes reaching epic wide screen scope…

Fax is famous for releasing mostly experimental electronic and ambient music but depending on the artist/s an album could go anywhere. They have also just released the latest Anthony Rother LP in the last month and also some of the greatest names in electronic music such as Klaus Schulze, Brian Eno, Atom Heart, Bill Laswell, Biosphere, Tetsu Inoue, Mixmaster Morris, and many, many more have either released solo albums or collaborated with label boss and owner, Pete Namlook. Mick says: ""FAXology" is a result of me psyching myself up to send Peter a demo for Fax records, as the title suggest the CD is collection of Fax inspired pieces which Pete felt would suit a release to celebrate the labels fast approaching 20th year. Pete said while listening to the works he began to reminisce about the early days of Fax with albums like Broadway 2350 etc and felt the time was right for such a release."

The connection between Dr. Atmo and Mick Chillage goes back to one of the finest ambient labels to ever grace this planet, FAX records. Many will remember the defining collective for their deep, extended excursions into the far-reaches of ambient mysticism - a style that is still revered to this day.

Neo Ouija takes the platter and spins it with their own textural funk on Cottage Industries 7. Cottage Industries 7 contains a wide range of beautiful electronics from relatively unknown and known musicians from around the world. The music fills the void that experimental electronic music seems to leave wide open. Rather than scratching your head at the end of this 73 minute excursion, you’re forced to think, relax, and sit back to contemplate. It becomes quite an adventure when music takes a new shape and form and Cottage Industries 7 makes that possible by allowing 14 different artists to create their own atmosphere’s and textures.

Mick Taylor's self-titled debut album is rather different than one would imagine for an ex-Rolling Stone and former Bluesbreaker. As to whether this is due to the conformist sound of the lighter numbers ("Leather Jacket," "Baby I Want You," etc.) or the fact that his singing voice is so much more average than Jagger or Mayall's is debatable. In any case, Mick Taylor is an undeniably attractive and often surprising album. The highlight and thrust of the album is Taylor's astounding guitar playing. His fusion of blues and rock styles, and, of course, his slide guitar work, is constantly impressive. "Slow Blues," "Giddy-Up," and "Spanish/A Minor" feature some particularly gob-smacking guitar solos.

Mick Jagger had struggled with launching his solo career for over 15 years when he unleashed Goddess in the Doorway. Although he was one of the most famous men on earth, he couldn't separate himself from the Stones no matter how hard he tried, and he tried so hard that many of his struggles appeared desperate…

There is no rock star greater than Mick Jagger. There are plenty other as great, but nobody eclipses Mick in terms of art and influence, as he virtually created the modern-day rock & roll rebel. Given that, why is it that almost nobody takes his solo recordings seriously? Even his longtime partner Keith Richards is quoted on record calling Jagger's 2001 album Goddess in the Doorway "Dogsh*t in the doorway," a tacit signal that all the dismissive reviews of Jagger's solo stuff were not only justified, but appropriate – a judgment that may be a bit extreme, but in a way it's understandable, because Jagger's solo recordings showcased his least lovable aspects, particularly his relentless social climbing and obsession with style…

A quirky detour of late-'60s British progressive/blues rock, Blodwyn Pig was founded by former Jethro Tull guitarist Mick Abrahams, who left Tull after the This Was album. Abrahams was joined by bassist Andy Pyle, drummer Ron Berg, and Jack Lancaster, who gave the outfit their most distinctive colorings via his saxophone and flute. On their two albums, they explored a jazz/blues/progressive style somewhat in the mold of (unsurprisingly) Jethro Tull, but with a lighter feel. They also bore some similarities to John Mayall's jazzy late-'60s versions of the Bluesbreakers, or perhaps Colosseum, but with more eclectic material. Both of their LPs made the British Top Ten, though the players' instrumental skills were handicapped by thin vocals and erratic (though oft-imaginative) material. The group were effectively finished by Abrahams' departure after 1970's Getting to This. They briefly reunited in the mid-'70s, and Abrahams was part of a different lineup that reformed in the late '80s; they have since issued a couple of albums in the 1990s.