Mick Goodrick

This is a remarkable album of duets with fellow jazz guitar virtuoso and educator, Mick Goodrick. There are six standards and six originals which, the producer's liner notes say, 'were all improvised and composed at the very moment I was pushing the record button on my tape machine.' Joe and Mick sound destined to play together, so well do they combine on this album. They push the boundaries with free improvisations and play the standards as well - but in a fresh way.
At times on this album, the two players abandon the convention of one player comping and the other soloing and instead, play in counterpoint - weaving single lines around each other - eg. 'Counterpoint Carnival/Manha de Carnival' and the gripping 'Rare Birds'…

This is a remarkable album of duets with fellow jazz guitar virtuoso and educator, Mick Goodrick. There are six standards and six originals which, the producer's liner notes say, 'were all improvised and composed at the very moment I was pushing the record button on my tape machine.' Joe and Mick sound destined to play together, so well do they combine on this album. They push the boundaries with free improvisations and play the standards as well - but in a fresh way.
At times on this album, the two players abandon the convention of one player comping and the other soloing and instead, play in counterpoint - weaving single lines around each other - eg. 'Counterpoint Carnival/Manha de Carnival' and the gripping 'Rare Birds'…

Gary Burton - Dreams So Real (1975) {ECM 1072}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 222 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1975 ECM Records | ECM 1072 / 833 329-2
Jazz / Post Bop / Vibes

Performing the intricate music of Carla Bley is no mean feat, but if anyone is up for the challenge, it would be vibraphonist Gary Burton. Signifying a high watermark in his career in the mid-'70s, Dreams So Real teams Burton with his fellow professor at the Berklee College of Music Mick Goodrick, along with recently graduated student Pat Metheny. Add the peerless electric bass guitarist Steve Swallow and always proficient drummer Bob Moses, and you have the makings of a short-lived supergroup capable of playing Bley's memorable, melancholy music.