Live Aid was a benefit concert held on Saturday 13 July 1985, as well as a music-based fundraising initiative. The original event was organised by Bob Geldof and Midge Ure to raise funds for relief of the 1983–1985 famine in Ethiopia. Billed as the "global jukebox", the event was held simultaneously at Wembley Stadium in London, UK, attended by about 72,000 people and John F. Kennedy Stadium in Philadelphia, US, attended by 89,484 people.
Sweet Summer Sun – Hyde Park Live chronicles the Rolling Stones’ historic and triumphant return to London’s Hyde Park with a 2-hour live concert and highlights package including new and unseen backstage footage.This summer, over 100,000 delirious fans packed into Hyde Park for two spectacular outdoor concerts to see Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood do what they do best. The Stones delivered a five star performance packed full of hits such as ‘Start Me Up’, ‘Brown Sugar’, ‘Jumpin’ Jack Flash’, ‘Miss You’, ‘It’s Only Rock ‘N’ Roll’, ‘Gimme Shelter’, ‘Doom And Gloom’ and ‘Sympathy For The Devil’, as well as one or two surprises.
"Angie" is a song by the rock band The Rolling Stones, featured on their 1973 album Goats Head Soup…
The This Is the Blues series from Eagle Records (there are four volumes thus far) features players from the late-'60s/early-'70s golden age of classic British blues-rock covering, for the most part, songs by Willie Dixon and John Lee Hooker, all drawn from a series of tribute albums originally produced by Peter Brown. The fact that everything on these volumes was overseen by the same producer means that there’s an unusual unity of sound throughout the series, and listening to these collections feels a bit like listening to concert recordings at some super all-star British blues festival. The lineup is impressive, including the likes of Jeff Beck, Mick Jagger, Rory Gallagher, Jack Bruce, former members of Foghat (Lonesome Dave Peverett, Rod Price), and Peter Green, who has several of his own songs also covered in the series…
A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed…