A concert in 1995 at Cafe Amores, in Hofu, Yamaguchi of the duo of Japanese percussionist Midori Takada and alto saxophone Kang Tae Hwan, both using exceptional and unusual approaches to their music, applying their backgrounds in free jazz, theater and studies in traditional African and Asian percussion to create a unique hybrid, from hypnotic to frenetic; fascinating.
Japan's Midori Takada is a gifted percussionist and composer, whose ambient, minimalist music combines East Asian and African traditions with jazz and progressive classical sounds. Born in Tokyo in 1951, Takada honed her skills studying at Tokyo's University of Arts. After graduating, she made her professional debut performing with the Berlin RIAS Symphony Orchestra in the '70s.
A requiem mass for drums, electronics and choir, 'The Undreamt-of Centre' is Laurence Pike's most ambitious solo album to date, pulling from Ligeti, Jon Hassell and Midori Takada in equal measure.
Paradise Cinema is a project led by multi-instrumentalist Jack Wyllie (Portico Quartet/Szun Waves) with contributions from Khadim Mbaye, Tons Sambe and Laurence Pike. The first, eponymous, Paradise Cinema record, released in 2020, was recorded in Dakar and featured the dense rhythms of Mbalax music combining with Wyllie’s textural saxophone and synth playing.
Portico Quartet announce Terrain, a three-part suite drawing on American minimalism and ambient music alongside their own rich heritage as they explore new musical vistas.