Mike Odlfield Hergest

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet. The familiar eerie opening, made famous by its use in The Exorcist, starts the album off slowly, as each instrument acoustically wriggles its way into the current noise that is heard, until there is a grand unison of eccentric sounds that wildly excites the ears…

Based in an Arthur C. Clarke novel, this album really makes you dream, travel through the stars and imagine this weird and diverse history. And this is along with Tubular Bells III, the last great album that Oldfield made…

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music. Oldfield plays all the instruments himself, including such oddities as the Farfisa organ, the Lowrey organ, and the flageolet…

With this album, Oldfield began to make an attempt to break down his extended structures into a more commercially acceptable format, with the side-long title track being separated into four sections…

Mike Oldfield's groundbreaking album Tubular Bells is arguably the finest conglomeration of off-centered instruments concerted together to form a single unique piece. A variety of instruments are combined to create an excitable multitude of rhythms, tones, pitches, and harmonies that all fuse neatly into each other, resulting in an astounding plethora of music…

Six years after the classical Music of the Spheres, Mike Oldfield returns to his version of rock. Man on the Rocks is a slick production that recalls the AOR sounds of the late '70s and early '80s. He plays many instruments here but concentrates mainly on guitar. Among his collaborators are bassist Leland Sklar, keyboardist Matt Rollings, drummer John Robinson, guitarist Michael Thompson, and the Struts' vocalist Luke Spiller. Though these songs are housed in tightly written, hooky pop/rock melodies with conscious source checks from Queen and Toto to the Rolling Stones and the Steve Miller Band, they are among - if not the - most deeply personal entries in his catalog. Opener "Sailing" contains pained, troubled lyrics, yet its Celtic-flavored singalong chorus and ringing slide guitar solo add contrast and elevation…

After a two-year pause following the release of Boxed, Mike Oldfield returned with a new epic project, this one spread over four vinyl sides and devoted to Native American themes rather than hewing once more toward the Celtic end of the spectrum. Included was Oldfield's musical adaptation of "The Song of Hiawatha," grandiose but empty; there was a nice sense of the dramatic when it came to dynamic range, but no sense of time – the piece ran far too long as Oldfield searched for enough musical ideas to prop the whole thing up. After this, Oldfield avoided album-length concepts for quite some time.