Mikko Franck

After Franck, Debussy and Strauss, Mikko Franck and the Philharmonic Orchestra of Radio France here continue their collaboration with Alpha Classics, this time with the spotlight on Igor Stravinsky. The programme begins with two pieces from his so-called ‘neo-classic’ period: his Capriccio and Octet. In the first, in which Stravinsky sets up a dialogue between piano and orchestra, the soloist is one of the great stars of the new generation, the French pianist Nathalia Milstein. Then the mood darkens, with the primitive rhythms and ferocious chordal attack of The Rite of Spring , a work that Mikko Franck has long since wanted to immortalize on CD: a major masterpiece of the 20th century and an essential milestone for every orchestra. Every single player seems to be on fire in this recording, which puts the seal on seven years of collaboration and achievement with its Finnish Music Director.

The baritone Matthias Goerne, the Orchestre Philharmonique de Radio France and Mikko Franck launch a trilogy of Shostakovich’s works for baritone and orchestra with a recording of Symphony No.14. This will be followed by Symphony no.13 (Babi Yar ) and the Suite on poems by Michelangelo Buonarroti . The soprano Asmik Grigorian joins Matthias Goerne for this monumental yet highly subtle symphony setting poems by García Lorca, Apollinaire, Küchelbecker and Rilke.

Some music lovers are familiar with Ce qu’on entend sur la montagne, Liszt’s symphonic poem based on Victor Hugo. But who knows that, ten years earlier, César Franck was inspired by the same poem? This early piece is recorded here by the Orchestre Philharmonique de Radio France conducted by Mikko Franck. They couple it with the famous Symphony in D minor, dedicated to Henri Duparc and premiered, without much success, in 1889. Even if the score is quite well-known today, in the end it is performed quite rarely, which is a pity, because it really has all the characteristics of a masterpiece: melodic and harmonic inspiration, refined orchestration, variety of mood, an ingenious structure.

Korngold was just 23 when his most celebrated stage work was premiered in 1920 by no less than Otto Klemperer. The rich orchestration and brilliant bel canto vocal writing is here superbly realised by a cast led by Klaus Florian Vogt and Camilla Nylund, with 'conducting to die for' (The Guardian ★★★★★) from Mikko Franck. 'I regard Die tote Stadt as one of the greatest operas of the first quarter of the 20th century and the Finnish National Opera’s production makes it stand out as a true masterpiece, scenically and musically.' (Seen and Heard International)

Singer Asmik Grigorian has chosen to record both versions of Richard Strauss's ultimate masterpiece, composed in 1948: the version with orchestra and the much rarer version with piano. Why? “Because “one” is never enough for me :)" writes Asmik. "My main interest in recording both versions was that they each require different colors - even if they are the same piece. Mikko Franck is one of the best conductors working today, and makes everything simple, like all the truly special things on this planet are. Markus Hinterhäuser is just a magician in everything he does. Making music with them makes me feel that I am not alone.”

The Orchestre Philharmonique de Radio France and Mikko Franck continue their collaboration with Alpha and here invite one of the label’s flagship pianists, Nelson Goerner. The programme is devoted to Richard Strauss, coupling several of the German composer’s early works. The Burleske for piano and orchestra, written at the age of twenty, is brimming with lyricism and Romantic ardour; its tone colours herald Strauss’s operas, while the orchestration anticipates his symphonic poems. The piano part is exceptionally virtuosic: Hans von Bülow, for whom Strauss wrote it, called it unplayable! The Serenade for thirteen wind instruments harks back to Mozart’s Gran Partita K361 for similar forces. This brief work in a single movement begins in a nocturnal colouring, as befits a serenade, before growing more animated and finally returning to the contemplative atmosphere of the opening. The symphonic poem for large orchestra Tod und Verklärung depicts the last hour of an artist’s life: the listener is gripped from the very first bars, which evoke the breathing and heartbeats of a dying man. Strauss allows us to experience his final moments and the transfiguration of his soul in one of the most glorious moments in the symphonic repertoire.

Einojuhani Rautavaara may well be the most popular symphonist alive today. On the occasion of his 80th anniversary, Ondine pays homage to its longtime house composer by releasing the first-ever edition of the complete eight symphonies, in a special box set. Rautavaara is recognized as the greatest Finnish composer after Jean Sibelius. He has often described symphonic music as a journey through human life.

Paris is Hilary Hahn’s comeback project after her one-year sabbatical. Now Hilary is back with her first album on Deutsche Grammophon in five years.

After Franck, Debussy and Strauss, Mikko Franck and the Philharmonic Orchestra of Radio France here continue their collaboration with Alpha Classics, this time with the spotlight on Igor Stravinsky. The programme begins with two pieces from his so-called ‘neo-classic’ period: his Capriccio and Octet. In the first, in which Stravinsky sets up a dialogue between piano and orchestra, the soloist is one of the great stars of the new generation, the French pianist Nathalia Milstein. Then the mood darkens, with the primitive rhythms and ferocious chordal attack of The Rite of Spring, a work that Mikko Franck has long since wanted to immortalize on CD: a major masterpiece of the 20th century and an essential milestone for every orchestra.

The baritone Matthias Goerne, the Orchestre Philharmonique de Radio France and Mikko Franck launch a trilogy of Shostakovich’s works for baritone and orchestra with a recording of Symphony No.14. This will be followed by Symphony no.13 (Babi Yar) and the Suite on poems by Michelangelo Buonarroti. The soprano Asmik Grigorian joins Matthias Goerne for this monumental yet highly subtle symphony setting poems by García Lorca, Apollinaire, Küchelbecker and Rilke.