Miles Davis In Paris Festival International De Jazz

Miles Davis & Tadd Dameron - In Paris Festival International De Jazz, May 1949 (1991) {Sony Music Japan SRCS 5695}

Miles Davis & Tadd Dameron - In Paris Festival International De Jazz, May 1949 (1991) {Sony Music Japan SRCS 5695}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 92 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 23 Mb | 5% repair rar
© 1949, 1991 CBS / Sony Music Japan | SRCS 5695
Jazz / Bebop / Trumpet / Piano

Miles Davis was best-known during the late '40s for offering an alternative approach to trumpeters Dizzy Gillespie and Fats Navarro, emphasizing his middle register, a softer tone and a more thoughtful approach. This concert performance, which was not released until nearly three decades later, shows that Davis was just as capable of playing hard-driving bebop as most of his contemporaries. In a quintet with tenor-saxophonist James Moody and pianist-composer Tadd Dameron, Davis confounded the French audience by playing very impressive high notes and displaying an extroverted personality. Never content to merely satisfy the expectations of his fans, he was already moving in surprising directions. This LP also gives one a very rare opportunity to hear Miles Davis verbally introducing songs in a voice not yet scarred.
Miles Davis - The Complete Columbia Album Collection (2009) (70 CD Box Set)

Miles Davis - The Complete Columbia Album Collection (2009) (71 CD Box Set)
XLD Rip | FLAC (Tracks+.cue, log) | 70 CDs, 52 albums | 21,1 Gb
Genre: Jazz, Fusion / Label: Sony Legacy

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
Miles Davis - The Complete Columbia Album Collection [52CD Box Set] (2009) [Re-Up]

Miles Davis - The Complete Columbia Album Collection [52CD Box Set] (2009)
Jazz | MP3 CBR 320 kbps | Run Time: 61:38:20 | 8.28 Gb
Label: Sony Legacy | Release Year: 2009

Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
Miles Davis - The Last Word: The Warner Bros Years (2015) [Official Digital Download]

Miles Davis - The Last Word: The Warner Bros. Years (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time - 417:19 minutes | 4,88 GB
Studio Master, Official Digital Download | Artwork: Front cover

In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called "Perfect Way" after a tune by Scritti Politti, later renamed "Tutu" by producer Tommy LiPuma. When "Tutu" (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, fully remastered, from the Warner Bros studio albums "Tutu", "Amandla" and "Doo-Bop", the "Dingo" and "Siesta" soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.

Ivan Paduart - Alone (2005)  Music

Posted by Domestos at Feb. 1, 2020
Ivan Paduart - Alone (2005)

Ivan Paduart - Alone (2005)
EAC Rip | FLAC (tracks+.cue, log) ~ 191.43 Mb | 01:00:21 | Covers
Post-Bop | Label: Alone Blue Records - @002

Ivan began conventional piano lessons at the age of 10, made his first attempts at improvisation on trumpet a little later, and discovered jazz when he was 17. A masterclass with Michel Herr (then pianist with Toots Thielemans) convinced him to pursue jazz full-time and, in 1988, after six months at Antwerp’s jazz studio, and one year at Rotterdam’s Royal Conservatory (where he studied with Rob Van Kreeveld), he joined the groups of American guitarist John Thomas, Italian trumpet player Gino Lattuca and Belgian trombone player Phil Abraham.