Ethical hacking is the art of testing your own network and computers for security holes and learning how to close them up before an unethical hacker gets the chance to get in and do damage. With all the stories in the news on an almost daily basis about hacking, digital security has become one of the most crucial factors in our lives.
Most people do their banking online, they use PayPal, they use email and these, plus any other service or website you use with personal information, are open to being hacked. …
The three-disc anthology The Real…Miles Davis: The Ultimate Miles Davis Collection brings together tracks the legendary trumpeter recorded for Columbia during the '50s and '60s. These are some of Davis' best-known and most influential recordings when he was at the height of his pre-fusion, modern jazz career. Included are such cuts as "So What," "I Thought About You," "Stella by Starlight," "Milestones," and more.
A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze!
Three CDs. Four-hour anthology of recordings that anticipated the late 70s Power Pop movement. Featuring Badfinger, Slade, The Move, Stealers Wheel, Pilot, Dave Edmunds, Brinsley Schwarz, Honeybus, The Kinks, The Who, etc. While the early 70s musical landscape in Britain was largely dominated by introspective singer/songwriters, Bubblegum Pop and underground Rock bands, a handful of acts bravely continued to pursue the classic mid-60s group sound. With the aid of increasingly sophisticated recording studios, they majored in crisp, muscular, hook-laden three-minute pop songs, bursting with chiming Rickenbacker guitars, irresistible choruses and Beatles/Beach Boys-inspired close harmonies. A few (Slade, Pilot, the ill-starred Badfinger) found commercial success, but the likes of Starry Eyed And Laughing, Shape Of The Rain and Octopus proved to be the right bands at the wrong time - too late for the British Invasion that had swept America in the mid-60s, too early to hitch a ride on the late 70s Power Pop bandwagon.
As most readers familiar with Miles Davis' music will know, `Sketches of Spain' recorded in 1959-60 was his third and final collaborative project with orchestral arranger Gil Evans. The original album release, distilled from the recording sessions, explored the musical styles of the Iberian Peninsula and has a distinctive feel quite different from Miles' other work: listeners familiar with classical music who never previously connected with jazz often found SoS to be an accessible gateway to other innovative jazz compositions of the era.