Milton Babbitt

The Collected Essays of Milton Babbitt  eBooks & eLearning

Posted by IrGens at June 17, 2018
The Collected Essays of Milton Babbitt

The Collected Essays of Milton Babbitt by Milton Babbitt, edited by Joseph Straus, Stephen Peles, Stephen Dembski, Andrew Mead
English | November 9, 2003 | ISBN: 0691089663, 0691155402 | EPUB | 536 pages | 6.2 MB
Morton Feldman & Milton Babbitt - Clarinet Quintets (Lieb, Phoenix Ensemble, innova 746)

Morton Feldman & Milton Babbitt - Clarinet Quintets (Lieb, Phoenix Ensemble, innova 746)
Avant-Garde, Contemporary Classical | EAC (FLACs) NO LOG, SCANS | 1:02:38 | 247 MB
Filefactory | Innova | (7z) | Released 2009

Composers: Morton Feldman & Milton Babbitt
Performers: Phoenix Ensemble, Mark Lieb, Clarinet
"When you think of two American composers exhibiting extremes in method and aesthetics, 20th century giants Morton Feldman and Milton Babbitt are certainly a good example. There are no two men with more opposite views on music and expression. You might think therefore that listening to their music side by side would automatically turn off 50% of the audience. You’d be wrong.

The New York based Phoenix Ensemble has paired Feldman's Clarinet and String Quartet and the world premiere recording of Babbitt's Quintet for Clarinet and Strings, and the result shows their deep musical connections. Each benefits from the other’s perspective on texture, color, and time-flow.

Feldman's suspended transparency next to Babbitt's equally striking gnarliness complement one another, and provide a compelling case for the importance and influence of these composers to the American music
scene in recent decades.

The Phoenix Ensemble, with the approval and guidance of Mr. Babbitt, provides a first look into his largely unknown masterwork, and an equally enlightening performance of Feldman's poignantly expressive music." (label info)

Milton Babbitt: Sextets / The Joy of More Sextets (1988)  Music

Posted by peachfuzz at July 4, 2009
Milton Babbitt: Sextets / The Joy of More Sextets (1988)

Milton Babbitt - Sextets · The Joy of More Sextets (1988)
Classical | EAC (APE, CUE & NO LOG) | 167 MB

Professor at both Princeton and Juilliard, Milton Babbitt is—by almost unanimous consent—America's most important composer of twelve-tone music. Yet for over three decades Babbitt's music has been more talked about, often in heated controversy, than heard or understood. Sextets, Babbitt's first solo string piece since the Composition for Viola and Piano. Written twenty years later, The Joy of More Sextets represents, in comparison with its predecessor, the ever-increasing lucidity of Babbitt's late style. Built of trichords (groups of three pitches), fragmentation becomes no longer an issue. Like all of Babbitt's mature music, Sextets is written in twelve-tone system, but to listen to it intelligently one must put aside common misconceptions of how twelve-tone music works—such as the idea that octaves are forbidden, or that no note can be repeated until the other eleven have been stated.

Milton Babbitt: An Elizabethan Sextette (2007)  Music

Posted by peachfuzz at July 4, 2009
Milton Babbitt: An Elizabethan Sextette (2007)

Milton Babbitt - An Elizabethan Sextette (2007)
Classical | EAC (APE, CUE & NO LOG) | 250 MB

Getting to know Milton Babbitt’s music is like discovering a new world. For more than forty years Babbitt has been publishing compositions that explore the ramifications of Arnold Schoenberg’s epochal insight, and each successive work opens up new vistas or reveals striking new perspectives within the twelve-tone universe. The present recording spans Babbitt’s compositional career, touching on most of the musical veins that run through his work. The variety of his compositions is immediately apparent from their diversity of ensemble and scope; their underlying communality emerges upon greater familiarity. On first hearing, An Elizabethan Sextette and Playing for Time would appear to have little in common; yet they contain identical underlying abstract structures. About Time employs a simple variant of the same structure, and Groupwise contains structures closely related to those in the aforementioned works. Briefly put, these underlying structures are contrapuntal webs of twelve-tone rows, craftily woven together to yield a maximal variety of ways of combining segments of different rows into collections of the total chromatic. Supple enough to afford a wealth of different interpretations both of detail and mode of presentation, these contrapuntal networks nevertheless preserve certain recognizable large-scale attributes in all their incarnations.
Thinking In and About Music: Analytical Reflections on Milton Babbitt's Music and Thought

Thinking In and About Music: Analytical Reflections on Milton Babbitt's Music and Thought
English | 2021 | ISBN: 0190949236 | 314 Pages | PDF | 13 MB
Milton Babbitt: Concerto For Piano And Orchestra - The Head Of The Bed

Milton Babbitt (b. 1916): Concerto For Piano And Orchestra - The Head Of The Bed
Label: NEW WORLD RECORDS | NW 346-2
Avant-Garde | ALAC (no CUE + no LOG) | Scans | 234 MB
Released 1992

This CD features one of Babbitt's more 'accessible' pieces: "The Head of the Bed", with a fascinating dream-like text by John Hollander and a wonderful mood; and one of his most difficult: "The Piano Concerto", which is a tough go for even his most ardent admirers.

Milton Babbitt: PianoWorks (1986)  Music

Posted by hopscotch at Feb. 10, 2009
Milton Babbitt: PianoWorks (1986)

Milton Babbitt: PianoWorks (1986)
Classical | EAC (APE & CUE) | 240 MB

There are those who lament the supposed rupture of the Western musical performance tradition. In decades past, their argument runs, performers were either naturally interested in the music of their time or composed themselves, thus extending the tradition by recasting the music of the past in the image of the present. Now, pessimists complain, performers concern themselves only with rote regurgitations of the past, leading to the ossification of the tradition. Robert Taub, who has recorded all of the Babbitt's piano works for Harmonia Mundi, does not limit his musical sensibility, honed by his involvement in intense, abrupt, unforgiving modern music, to treating the composer's music like some rare form of hieroglyph—although unquestionably indecipherable it may be.

Milton Babbitt: PianoWorks  Music

Posted by peachfuzz at Feb. 7, 2007
Milton Babbitt: PianoWorks

Milton Babbitt: PianoWorks
EAC (APE & CUE) | Classical | 1 CD / 238 MB
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As a composition pupil of Roger Sessions at Princeton, Babbitt attempted to apply twelve-tone principles to all the elements of his composition: dynamics, timbre, and rhythm, as well as melody and harmony, which he fondly called "total serialization". In 1959, Babbitt became one of the directors of the new Columbia-Princeton Electronic Music Center in New York City. His works include Three Compositions for Piano (1947), three string quartets (1942, 1954, 1969–70), Composition for Synthesizer (1961), Philomel (1964) for soprano, taped soprano, and synthesizer, A Solo Requiem for soprano and piano, and Dual (1980) for cello and piano.
Mari Asakawa - The Flow of Music: Piano Works of Carter & Babbitt (2018)

Mari Asakawa - The Flow of Music: Piano Works of Carter & Babbitt (2018)
WEB FLAC (tracks) - 209 Mb | MP3 CBR 320 kbps - 140 Mb | 01:01:18
Classical | Label: Centaur Records

Japanese pianist Mari Asakawa has made a beautiful album of the works of Carter and Babbitt. She has the full measure of these works, this album presents these superb pieces in the best possible light. Mari began her piano studies in Japan at the age of five, and in 1980 moved to the United States. At the age of 15, she won the Westchester Competition, performing the Grieg concerto, followed by a performance of the Bach concerto at Alice Tully Hall. She earned a Bachelor's degree at the Julliard School, where she studied with Georgy Sandor, and received a Masters of Music at Yale University. In 1998, she moved to Italy, continuing her studies with Bruno Mezzena at the Accademia Musicale Pescarese, earning a diploma of the highest honor. Most recently, she was appointed to a teaching position at the Aichi Prefectural University of Fine Arts and Music, where she teaches piano performance.
VA - Todd Seelye - Babbitt/ Berio/ Carter/ Dillon/ Mamlok/ Morris/ Wuorinen

VA - Todd Seelye (guitar): M. Babbitt; L. Berio; E. Carter; J. Dillon; U. Mamlok; R. Morris; Ch. Wuorinen
Classical - Contemporary | EAC = APE + CUE (NO LOG) | Cover | 248 MB

An astonishingly intense and courageous program, brilliantly performed.