When Clarence "Gatemouth" Brown walked into the studio in the early '80s to record Alright Again!, he had already had an illustrious career by most standards. Yet, much of Gate's best output had been behind him by more than two decades; with Alright Again!, he set out to prove he was still a relevant artist. The album won Brown a Grammy, and its follow-up, One More Mile, was a Grammy-nominated record as well. Texas Swing combines the two records, culling 17 tracks from the sessions. Listening to this album, it is easy to see why the songs had such impact. Never one to be pigeonholed, Brown and his backup band move from slick blues on "Frosty" and "One More Mile" to breezy swing reminiscent of the best big bands on Roy Milton's "Information Blues" and Brown's own "Dollar Got the Blues"…
Love Is for Suckers is the fifth studio album by the heavy metal band Twisted Sister. It was released by Atlantic Records on July 03, 1987, with the single "Hot Love" being released on July 1. The sound of the album was strongly influenced by glam metal, and was one of the causes of conflict which led to the band splitting after its release. According to interviews contained in the Live at Wacken DVD and in Snider's autobiography, the material was originally meant to be a solo album by Twisted Sister's lead singer, Dee Snider, but the label pushed for it to be released under the Twisted Sister name instead. The tour for the album lasted just over one month and ended in Minneapolis, Minnesota on October 10, 1987. Two days later, on October 12, 1987, vocalist Dee Snider announced his departure from the band. It would be Twisted Sister's final studio album of original material, as all albums since have been compilations, live albums or re-recordings of already written material.
"Wet Wet Wet celebrate the 30th anniversary of Popped In Souled Out with a special remastered edition featuring extra bonus tracks. Having formed in 1982 after taking their name from a line in a Scritti Politti song, the band’s first single Wishing I Was Lucky was released in 1987, which started an incredible unbroken run of 27 Top 40 hits…
"Flow Overflow" was a double LP: "Flow" were what Morgan calls "spontaneous compositions" recorded in one take. On "Overflow" he overdubbed a cassette of recordings he had made when fooling around with the new (at the time) Yamaha DX7 Mark II synthesizer. He thought this cassette (which was just a series of instant improvised sketches, each inspired by the new sounds available on the DX7) was just a bunch of ideas which he would develop and re-record, but they had such a good, natural feel to them that he used parts of the actual cassette and added other instruments in his home studio. The general style of these albums: hmmm, a kind of synthesised modern spiritual chamber music. Like "Inside Satie", the 1998 CD re-issue of this album has been beautifully remastered and re-packaged with a cover photograph by Regina Deluise.
This is a compilation of tracks the first three albums by Supersax, recorded 1973-75 - Supersax - Supersax Plays Bird, Supersax - Salt Peanuts (Supersax Plays Bird, Volume 2) and Supersax - Supersax Plays Bird With Strings. Supersax was a Charlie Parker tribute band formed by Med Flory and Buddy Clark that debuted in 1972, brass soloists that recorded with the group included Conte Candoli (trumpet), Frank Rosolino (trombone) and Carl Fontana (trombone). The group's music consisted of harmonized arrangements of Parker's improvisations played by a saxophone section (two altos, two tenors, and a baritone), rhythm section (bass, piano, drums), and a brass instrument (trombone or trumpet). They won the Grammy Award for Best Jazz Performance by a Group in 1974.
Gold & Platinum was compiled by Gary Rossington and Allen Collins, the two surviving members of Lynyrd Skynyrd, after the band's tragic plane crash of 1977. Though many years have elapsed since its 1979 release, the double-record set remains the best, most concise compilation of the groundbreaking Southern rock band. Over the course of two albums, all of Skynyrd's hits – "Sweet Home Alabama," "Free Bird," "Saturday Night Special," "What's Your Name," "You Got That Right" – are featured, as well as essential album tracks like "That Smell," "Down South Jukin'," "Gimme Three Steps," "I Know a Little," and "Tuesday's Gone." Some great songs like "Workin' for MCA" are missing, and the four-disc box set may be more comprehensive, but it's hard to imagine a better, more concise greatest-hits collection than Gold & Platinum.