Spandau Balet

Changing their band name as often as they changed the genre of music they played, Spandau Ballet began as a punk rock band calling themselves The Cut. Shortly after they changed their name to The Makers, and again In 1978 they changed their sound to a more power pop renaming themselves Gentry. Changing their sound once again to a more polished, synth heavy pop with an emphasis on the romantic the band changed their name for a last time to Spandau Ballet after (as the story goes) seeing the name "Spandau Ballet" written on a lavatory wall in a bar in Berlin…

Thirty years after their first recordings and almost twenty after they disbanded, british prime new romantics came back with a new CD (containing re-recording of some of their most popular tunes plus a couple of new songs) and a tour in 2009. Recorded live at the famous O2 Arena in London, this DVD caught the band in an inspired night: it's hard to believe they were away for so long, since their perfomance was so hot, tight and, at the same time, so relaxed it seemed they were never apart. They surely didn't lose any of their musicanship. And none of their elegance either, for the matter.

With the new romantic movement they'd helped spearhead on the way out, futurist icons Spandau Ballet began thinking seriously about the future on their second album. The seeds of the group's transition to a slick, MOR soul outfit can be heard in hits like "Chant No. 1," the best song Spandau Ballet had come up with…

By 1983, with the new romantic movement they'd sprung from a rapidly fading memory, the members of Spandau Ballet showed they had no intention of traveling the same path. Always ambitious, the British quintet really got down to business: Gone were the kilts, frilly shirts, and makeup – as well as the sometimes chilly electronics of their first two albums…

Parade was Spandau Ballet's follow-up to their most successful LP, 1983's True. "Only When You Leave" reached number three on the U.K. charts. The three other singles that were released do successively worse: "I'll Fly for You" (number nine), "Highly Strung" (number 15), and "Round and Round" (number 19)…

By 1983, with the new romantic movement they'd sprung from a rapidly fading memory, the members of Spandau Ballet showed they had no intention of traveling the same path…