Frank Zappa

Los Angeles – August 14, 2020 - By 1981, Frank Zappa’s Halloween shows in New York were already legendary – a rock and roll bacchanalia of jaw-dropping musicianship, costume-clad revelry, spontaneous theatrical hijinks and of course a heavy dose of Zappa’s signature virtuosic guitar workouts. Eagerly anticipated every year, fans never knew exactly what was in store but knew it would be of epic proportions and one-of-a-kind experience that only Zappa and his skilled group of musicians could provide.

Celebrating the 50th anniversary of the Mothers of Invention's 1971 lineup, the complete Fillmore tapes are showcased here with every note played over 4 shows, including the John Lennon & Yoko Ono encore.

Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1968.

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

Aapostrophe (‘) Turns 50!
Arguably the most popular album in the Frank Zappa catalog, apostrophe (‘) has consistently been a best-seller. It was Zappa’s first Gold Record Award in the U.S., peaking at #10 on the Billboard 200 chart. The “Don’t Eat The Yellow Snow” single also made the Billboard Top 100 Hits chart, peaking at #87. The success of Apostrophe(‘) brought along a new awareness for Zappa and through the years, the album has been a go-to for most when discovering his music.
For the 50th Anniversary, Zappa Records and UMe have compiled a 5-CD + Blu-ray Audio set featuring the original album newly remastered by Bernie Grundman, session outtakes from the Vault and two bonus concerts spanning the year of 1974. The Blu-ray contains the new remaster in hi-res formats, brand-new Dolby Atmos remixes by Karma Auger and Erich Gobel and FZ’s 1974 Quadraphonic mix, back in print for the first time in 50 years. The package features new historical essays by Simon Prentis & Vaultmeister Joe Travers, along with never-before-seen images from the archive of Sam Emerson, who shot the now iconic front cover photo."

Los Angeles – May 8, 2020 – To commemorate the 50th anniversary of Frank Zappa’s celebrated but short-lived 1970 Mothers Of Invention lineup, “Portuguese Fenders,” the first track to be released from the new collection, The Mothers 1970 is available to stream today.

Five CD set. In 1976, Frank Zappa played four historic sold-out concerts at The Palladium in New York City the week between Christmas and New Year's. In celebration of it's eventual release in 1978, Zappa In New York is being released as expanded anniversary editions to commemorate the album's recent 40th anniversary.

Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. His disparate influences included doo wop music and avant-garde classical music; although he led groups that could be called rock & roll bands for much of his career, he used them to create a hybrid style that bordered on jazz and complicated, modern serious music, sometimes inducing orchestras to play along. As if his music were not challenging enough, he overlay it with highly satirical and sometimes abstractly humorous lyrics and song titles that marked him as coming out of a provocative literary tradition that included Beat poets like Allen Ginsberg and edgy comedians like Lenny Bruce.