Missionary

From the little that is recorded about Zipoli's life, we may understand that he pursued two paths during his lifetime: music and religion. At first it seems it was the religious road that led him to South America, but in fact, as well as wanting to take his vows in the order of the Jesuits, he was summoned to the New World because he was a musician as well as a missionary. As a child, he sang in the choir and was granted the support necessary to allow him to study in Florence. In 1709, he moved to Naples to study with Alessandro Scarlatti.

Along with his Rock Fabulous Orchestra, Dave Stewart of Eurythmics fame presents what amounts to a best-of collection on The Dave Stewart Songbook Volume One. In addition to smash-hits from Eurythmics such as “Sweet Dreams” and “Here Comes the Rain Again,” the songbook includes timeless tracks penned by Stewart including Tom Petty’s “Don’t Come Around Here No More,” No Doubt’s “Underneath It All,” Mick Jagger’s “Old Habits Die Hard” (which earned Dave and Mick a Golden Globe award), Celine Dion’s “Taking Chances” and songs written and produced for U2, Sinead O’Connor, Jon Bon Jovi, Bryan Ferry, Bob Geldof, Beyonce, Sarah McLaughlan, Shakespear’s Sister and Candy Dulfer. All songs have been with recorded with his touring band and a full orchestra.

Laila Biali is an award-winning Canadian singer-songwriter and pianist whose recording Wintersongs offers an immersive journey into the delicate beauty and serene power of winter all through the lens of her jazz and classical roots. With two exceptions, all tracks were composed by Biali in a cabin surrounded by snow-capped mountains in the heart of Canada's Rocky Mountains. Many of Biali's usual collaborators participated in this production, including drummer Ben Wittman, renowned flutist and soprano saxophonist Jane Bunnett, accomplished trumpeter Kevin Turcotte and organ wizard Sam Yahel along with Detroit-born singer Wade O. Brown }}, among others.
The winter theme is not just a seasonal nod but a broader metaphor for stillness, reflection, and the beauty of quiet moments, which begins with the opening track "Drifting Down Ice"…

Philippe Pierlot and the Ricercar Consort's 2006 recording of Bach's Magnificat brings back the glory days of historically informed performances, those halcyon days in the 1980s when musicians, empowered by scholarship and energized by virtuosity, were recording the Baroque repertoire with the zeal of the newly converted. Though Pierlot and his musicians are of a younger generation, they bring a missionary fervor to the music, a program of Bach's Magnificat, BWV 243, and Missa Brevis, BWV 235, interspersed with two well-chosen organ works, the Fuga sopra il Magnificat, BWV 733, and the Präludium und Fuga, BWV 541. Pierlot's textures are clean, his rhythms buoyant, his colors bright, and tempos brisk, but not rushed in the fast movements, and contemplative but not moribund in the slow movements.

Past Tense is a brand new career-spanning collection by the provocateurs of pop - Sparks. Masters of reinvention, with an unappeasable ambition and a ravenous hunger for the now, Sparks – brothers Ron and Russell Mael – have been creating eye-poppingly brilliant pop music for more than 50 years. PAST TENSE: THE BEST OF SPARKS is an immaculate lesson in how to stay consistently interesting for fifty years. With sleeve-notes by Simon Price*, each track is hand-picked by Ron and Russell to best epitomise the era of Sparks from which they are drawn - forerunners of art rock, inventors of the synth duo, masters of new wave pop, Europop experimentalists and self-revisionists, in the 21st century they pioneered the electronic opera before delivering 2017’s pop masterpiece Hippopotamus.