Mit 6.001

"Tag Und Nacht", like other Schiller studio albums before it, balances dancefloor material with lush, downtempo electronica. Once again, the majority of the tracks are instrumental, while a handful are full-blown songs with spoken word poetry and ethereal guest vocalists; Culture Beat's Kim Sanders returns, but the highest profile collaboration is with electronic music pioneer Mike Oldfield on "Morgentau." The mood here tends to fall somewhere between tranquil and somber: it can be enjoyed as a deep listening experience or left unobtrusively in the background.

This is an excellent and bargan-priced collection of mainly late Schumann, none of which is frequently encountered in the concert hall. With some of the pieces this is with good reason: in the Requiem, and especially the Mass, Schumann's genius flickers barely at all - clearly his heart wasn't in religious music, and the result is dull and worthy, at least by his usual standards. Much better are the delightful secular oratorios, Der Rose Pilgerfahrt and Paradies und die Peri, both of which breathe the sweet springlike air of Romanticism which for most listeners is the true Schumann.